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Pink Posca pen doodle. Gettin' weird over here!

I was feeling really sad and scared, and the weight of the world's crisis weighed heavy on me, so I wanted to paint something lovely and bright. Acrylic on Kraft cardstock

A lot of earthly and spiritual family in today's drawing. Love and safety to all of them sheltered far away.

Sharpie pen (fine) on white paper • #luck #dreamcatcher #loveofmylife

Assorted green Sharpies on white paper • #luck #fourleafclover

I’ve always loved her windy hair and her eyes!

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

“You learn to rise above a lot of bad things that happen in your life. And you have to keep going.” – Lauren Bacall⁠ Morning doodle 431 ⁠

Finally done. For my first Bison, I’d say it’s pretty good. I didn’t really bother with the background or foreground, as you can see. I’d love any suggestions for other projects!

i haven't used just pencil in a while so i thought i'd try it out. i think it turned pretty well. i love constructive criticism, so feel free to hit me up.

Over the cliffs , the greatest mountains in the sea... He raises his hands of might !!! https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber

First attempt ever at acrylic paint pens. I might paint over this guy with Silver and Gold because I think he looks terrible. I dunno.

Posca doodling on canvas.

Spring is coming, A time of change and new beginnings. - This is the first time posting something on this platform. I'm very curious about this community. If you have critique on this piece I would be happy if you tell me, so i can improve my art :)

my precious daughter (not actually shes just my oc) Razzberry, i love her alot (base https://www.deviantart.com/poisoned-with-love/art/Nya-Base-Edited-326644206)

I tried using blue again, i like it better when it comes to these types of drawings (eyes, trees, buildings) but i will definitely be using black for creature and animal drawings. Let me know what you think, comment any tips for improvements, or even just to say what you do like about it; feedback is welcome on all my art.

I decided one day to do some shading on one of my little cartoon fairies. This is the result. A fun little piece featuring a fairy and little lightning bug discovering each other. :)

The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink. There were a lot of components I wanted to incorporate in this piece. Then, the painting kept "going". It moved of its own accord in places I did not anticipate, and I kept going with it....people that I know/have known intertwined in my mind as I painted the tree branches. Overall, the painting took on so many meanings to me as it matured

Chewy, but, addicted to spice. I love Chewbacca, he's always been one of my favorite star wars characters ever!

I find backgrounds in paintings challenging so I deliberately tried to make a more complex background with this one. I sometimes have difficulty deciding when to finish and in this case maybe I overworked the background a bit too much. Still, I feel I learned a lot from the process.

Digital illustration created with Adobe Illustrator. Seriously, my rabbit will cut you for fruit loops.

I made a sketchbook and it needed a cover.

Abstract drawing of a structure shaped like a spiral. Colours and shapes added to amplifies the natural movement of the drawing. Raw art, pen and ink on paper.

It's official. I've gone to the dark side and fallen in love with acrylic gouache - specifically the Liquitex one. If you'd like to read my detailed thoughts I've put them in my blog ( https://www.lindsaymadeit.com/2020/03/05/acrylic-gouache-review-new-portrait/ ) , but otherwise, here's my first painting with them.

I love Hollow Knight, so naturally...

This is a work I made as a reaction to a questionaire about suicide. I got over it, but I have been there, done that. Despair, the feeling of drowning, reaching out but never getting the help you need, deep dark depression, the grey-brown brainfog. Yet: there is some light, there always is, but I'm too scared to look at the light. I didn't varnish this pastel-drawing, just to accentuate the fragility of mental health. What you need to know it that I got out of this and so can you if you are this deep in trouble. I'm doing much better. January 2020, pastel on A3 paper.