owl

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

Experimenting with Ido, in conceptual design. His concept is actually still very ambiguous in my imagination, unlike his wyvern counterpart. There are still multiple interpretations I have to try out, before narrowing down onto the one which is the most fitting. His elusive character is starting to show (as an ego). A prideful yet aloof character, hiding a very vulnerable and lonely side underneath. Very wise and knowledgeable from an endless search for meaning, but there are some things that he still couldn't understand.

Grandma's prompt: Tree of Knowledge of Good and Evil

f someone can point me in the direction of a Lowly Worm plush for my collection that would be greatly appreciated, heheheh! Must confess though, I didn’t grow up with much in the way of Richard Scarry…

Billy the Kid's Bowler Hat

The more I draw her, the more her lore unravels. I learn about her world, her character and the plot that I slowly craft inside my mind.

Then everything started shrinking. Every piece of furniture became elongated and narrow and disappeared towards the ceiling. There was something crawling under the rag rugs in the hall. It was also narrow and thin and wriggled in the middle, sometimes very quickly and sometimes very slowly. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

"Lost little red." *He took a step closer as he towered her smaller form. He chuckled lowly as if her mere presence was a joke to him. He reached out, his long, sharp, black claws touched a strand of brown hair. "What a little snack you'll make."

In fact, she [Mummy] said after a while, we have gone into hibernation. Nobody can get in any longer and no one can get out! I looked carefully at her and understood that we were saved. At last we were absolutely safe and protected. This menacing snow had hidden us inside in the warm for ever and we didn't have to worry a bit about what went on there outside. I was filled with enormous relief, and I shouted, I love you I LOVE YOU, and took all the cushions and threw them at her and laughed and shouted and Mummy threw them all back and in the end we were lying on the floor just laughing. Then we began our underground life. We walked around in our nighties and did nothing. Mummy didn't draw. We were bears with pine needles in our stomachs and anyone who dared come near our winter lair was torn to pieces. We were lavish with the wood, and threw log after log on to the fire until it roared. Sometimes we growled. We let the dangerous world outside look after itself, it had died, it had fallen out into space. Only Mummy and I were left. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere. It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again. - Sculptor's Daughter by Tove Jansson

A vibrant fruit bowl filled with a variety of colorful mix of red fruits like strawberries, blueberries, and raspberries. The bright, bold colors create a striking contrast against the background.

A collection of plump red apples is artfully arranged in a bowl. The apples are depicted with vivid colors and smooth textures.

Monster concept is coming along. I feel like its a puzzle and I'm slowly creating the pieces.

I turned the key and waited. After a while the door opened of its own accord, very slowly as if someone inside the wardrobe was forcing it. And then the black tulle skirt poured forth and the door stood still. I did the same thing several times. Each time Mummy's tulle skirt opened out as it is was alive. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

#28 - A collection of ballpoint pen sketches drawn on printer paper & scanned. This is what my lines look like when I'm not using a stabilizer in digital software to get the nicest clean lines. I tried to separate my scanned lines from the various shades of off-white that the scanner picked up. I adjusted the brightness and contrast levels in photoshop but I'm not very knowledgeable on how to achieve the best results.

Abbadon reminds me of someone. Hmmmm. . Abbadon ©️ (Haunted Hotel) Matt Roller : voiced by Jimmi Simpson King (of demons) Clawthorne ©️ (The Owl House) Dana Terrace : voiced by Alex Hirsch The Collector ©️ (The Owl House) Dana Terrace : voiced by Fryda Wolff handmade art. colored pencils. no tracing. no ai.

Ben Freeling reminds me of someone. Hmmm. . Ben Freeling (Haunted Hotel) ©️ Matt Roller : voiced by Skyler Gisondo. Dipper Pines (Gravity Falls) ©️ Alex Hirsch : voiced by Jason Ritter. Hunter (The Owl House) ©️ Dana Terrance : voiced by Zeno Robinson. Finn the human (Adventure Time) ©️ Pendleton Ward : voiced by Jeremy Shada

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It has been a while since I last felt that I had a good day. Got myself together to draw, and the first thing that came into mind was to continue this character design project. Tried a mix between shades of grey, pale blue, with a tint of purple. Overall, the practice in drawing bird anatomy is slowly getting there. But yea... This is not a Blue Jay... I might have went a little too blue.

It's important to note that ADHD is different than ADD, and both are different than just having a personality. Both are diagnosable clinical disorders. . Rainbowdash (My Little Pony) ©️ Lauren Faust / voiced by by Ashleigh Ball--- Tigger (Winnie the Pooh) ©️ A. A. Milne / voiced by Jim Cummings--- Luz Noceda (The Owl House) ©️ Dana Terrace / voiced by Sarah Nicole-Robles--- Michelangelo (Teenage Mutant Ninja Turtles) ©️ Kevin Eastman and Peter Laird / voiced mostly by Townsend Coleman, Robbie Rist, Wayne Grayson, Brandon Mychal Smith, and Greg Cipes--- Hank Venture (Venture Bros) ©️ Doc Hammer & Jackson Publick / voiced by Christopher McCulloch--- Dee Dee (Dexter's Laboratory) ©️ Genndy Tartakovsky / voiced by Kar Cressida--- Kuki Sanban/Number 3 (Code Name: Kids Next Door) ©️ Tom Warburton / voiced by Lauren Tom--- Sheen (Jimmy Neutron Boy Genius) ©️ John A. Davis / voiced by Jeffrey Garcia---

Spooky cute owl guy

Color pencil piece I just finished and framed from art class.

I'm sorry if it is sideways. It depicts a person who feels pressured by people, slowly breaking in society. Just a drawing I felt like making.

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A funny-looking grumpy wet owl is perched on a branch while rain falls on him.