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While most of my pieces are usually fantasy and manga based, I do try to get outside that box. The same goes for mediums used as well. Here's a bit of still life of a ramen cup because I admit to having a bit of an obsession with ramen. I do like to cook myself but I tend to cut corners somedays as well...

This picture, among my many others, was created by following the doodle lines made in a minute. The figure and composition was FOUND from the loops in between... without alterations. https://youtu.be/xOa42BwxOx4

First artwork with colorpencils

[OC] Splash Art made by our artist Bruxo Roxo (Isaque Freires) for the BitBrawl game.

Glass Joe may not be the best at boxing but he’s got a huge social media following and tons of likes on his videos! also he and Disco Kid are good friends apparently and decided to hangout once the boxing matches were over (hence the bandage on their face)

This one is okay I guess....It's nothing but a satanic romance.

Art trade with JaredTheFox92 on DA. The character is Aurelia, the Grey Fox, and she is in her giant evil form. Thank you for looking at my art. This only took me around 5 hours, which is a new record for me! Done in Krita.

Urban Fox

I figured it'd be a while until I draw (in full detail) ALL of the Altitone band members, so I made each one a sprite. Their names are (from left to right): (The first one is a base), Elizabeth the hot pink cat, Preistor the sky blue rabbit, Altor the golden bear, Bruce the green mouse, Lexibo the violet elephant, Mary the short red fox, Dexter the blue-gray Racoon DJ, and the three cheerleaders: Rosette the crimson mouse, Oopsie the russet fox, and Pastelle the cotton candy short-eared rabbit. On the very bottom are the instruments. In order, they are Elizabeth's mic, Preistor's guitar, Altor's drum set, Bruce's mic, Lexibo's piano, Mary's oil drum (not an instrument, but Mary hides her bottom half in the oil drum, sort of like Looney Bird from The Rock-afire Explosion (which is why she has no legs)), and Dexter's DJ board. The last three are cheerleaders, and their hands have been replaced with cheerleading pom poms. On stage left, we have Dexter and Mary. On the center stage, we have Preistor, Altor, Lexibo, Elizabeth, and Bruce. On stage right is Rosette, Oopsie, and Pastelle. Made with Piskel. (If you're wondering where Jester and Dellusion are, they aren't band members --- but rather seperate attractions (and Jester doesn't even perform.))

So, the shorter animatronics that I posted earlier were actually the second versions of those animatronics. I redrew them because of... how they looked, I guess. Their proportions were way off. This animatronic is the third version of one of the animatronics, Elizabeth. I was planning on making more of these guys, to update them all, but it takes hours to make these guys, because I also have to make the endoskeleton for them. So, right now, Advanced Elizabeth sits in Jester's workshop, where she'll be alone for as long as I don't make another advanced animatronic. Personally, I think these look a lot nicer, but the second versions (the ones I posted) have a certain charm to them. I'm also working on the right stage animatronics, the red fox and the DJ. Drawn with FireAlpaca. Don't expect any more of these advanced guys.

I'm a big fan of DSaF. I love the characters (kebab boy is my personal favorite), and I cried once I found out that they all freaking die in the end. But not like a little bit of programming can't do the trick, right? I'm using the same sense of Glitchtrap (aka not really being William, but rather an AI or sorts of him) to bring back (a replica of) Jack, Dave, and Henry in the modern world. They're stuck in springlock suits right now, surrounded by wires, as somebody works on them. Dave is in the Bonnie suit, Jack in the Fox suit, and Henry in the Freddy suit. The man who is working on them plans to open a pizzaria, and work alongside the three to create the "Fazfrick's experience". He will wear the Chica suit, because nobody else wants to be the girl. This is so sad. Drawn with FireAlpaca.

It's St. Luke the Evangelist on his symbolic Winged Ox! I actually visited his tomb in Padua before my first vows awhile back. And I saw his painting of the Blessed Virgin Mary in Bologna. He is definately the Evangelist I am most devoted to because he is the patron of Artists! He is also a physician and because my religious name Raphael means "God Heals" and the Divine Physician there is also that connection. St. Luke Physician, Artist and Evangelist, pray for us! ^_^

https://www.youtube.com/watch?v=MdylLo9wFkc&list=PLg2kpnoxhhsvrNEN3ZRiKeu0W9aKWCYT4&index=9

My kids are fascinated with zombies, so I created this zombie alphabet for them since it is difficult to find kid-friendly zombies. The concept itself seems to be an oxymoron.

My kids are fascinated with zombies, so I created this zombie alphabet for them since it is difficult to find kid-friendly zombies. The concept itself seems to be an oxymoron.

My kids are fascinated with zombies, so I created this zombie alphabet for them since it is difficult to find kid-friendly zombies. The concept itself seems to be an oxymoron.

My kids are fascinated with zombies, so I created this zombie alphabet for them since it is difficult to find kid-friendly zombies. The concept itself seems to be an oxymoron.

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr