I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.
"Lang may yer lum reek (a Hogmanay greeting, implying "May you never be without fuel for your fire!", but more literally translates to "Long may your chimney smoke!")" All this I corrupted and used to inspire me here.
I took my Cultural Safari sketchbook class to the Nelson Atkins Museum of Art today. My sketch of The Virgin and Child, ca. 1350, France, Limestone Sculpture.
This comic came out of a conversation I’m having with a friend. We both found it fascinating that so many comedians and creatives come from broken and dark places. Robin Williams said, “I think the saddest people always try their hardest to make people happy because they know what it’s like to feel absolutely worthless and they don’t want anyone else to feel like that.”
Birds bikes and bells. It started as a quick bike doodle and then I got carried away. I kinda like getting carried away. I seldom know where it will end up.
