i was debating between uploading this and another SootHouse related drawing i had made today, but the other one was much more rushed and i kind of like the shading in this one. // the red part is a beanie, it's hard to draw beanies with a mouse, forgive me // Wilbur Soot is the main member of the Youtube channel SootHouse, it's really funny, and once I got featured at the end B))) (On "Bad Women's Anatomy Posts [Feat. SorrowTV]") // I might draw the other seven members, but idk.
I never imagined I could capture so much emotion in an eye—especially on just my second attempt. This piece came to life through intuition more than technique. The values, the shadows, the highlights… they felt like they found their place on their own. Maybe emotion, light, and shadow have always spoken to me—I just finally listened.
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
Watercolour painting of a Prickly Hakea. I started drawing different plants last month from the area where I live. This month I am turning them into watercolours, with the Hakea being one of the first.
The nearby pine tree has dropped quite a few pine cones, all in different states of decay. I enjoy looking at the different shapes, sizes and colours of each cone, each with its unknown story.
