Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
Fisher Friends, an oil painting of a Kingfisher, is inspired by cherished childhood memories spent by the River Tyne. This piece pays homage to the joy of growing up close to nature—the serene beauty of the river, the excitement of spotting wildlife, and the rare delight of seeing a Kingfisher.
The painting im working on is taking a lot more time than i expected, so here is one i painted last winther. I love Beatrix Potters paintings where the animals look realistic, but they wear miniature clothing and behave humanlike.
