Actually I saw this scene when I was traveling in bus early morning. In the foggy outskirts of city. I spotted this farm. I loved the one small patch of farm with Greeny patch.
Couldn't paint the fog, but tried to give the sky a feel of foggy.
This is a painting of a first century Galilean fishing boat, most likely the very type of
boat used by Peter when he was called by Jesus to follow him.
This illustration is part of a bigger mural I am working on, about the ministry of Jesus
the Christ.
If you notice, the boat is beached facing backward, with the fishing net coming from
the back of the boat. This is to signify that Peter, like all the other apostles, except
Matthew the tax collector, dropped their fishing occupation and followed Jesus, Who
would make them the fishermen of men’s souls.
Here is a truth about me as an artist. Two parts of this painting gave me trouble in
carrying out this illustration. The fist was illustrating the ropes of the rigging. My first
attempt was horrendous it took me a second try to get it right. I had to look up pictures of ropes on the Internet to overcome this challenge.
The second was illustrating the rocks on the bottom of the Sea of Galilee and the
reflections of the boat on the water. I must have made about five attempts until it
finally clicked. Even when I kept looking at the reflections of boats on water, I could
not make the breakthrough.
In creating the kind of art that I do, it is very rare to find a model that meets all my
requirement for what I am illustrating. So, it takes photos and imagination and the
grace of God to create an illustration that looks better than a stick figure and communicates the message intended.
So, I figure God has me go through these challenges to keep me humble because, without humility, God is not able to use our talents for His glory.
(October 12, 2017)
This quick sketch of an impressionist painting is a reminder to me of how we cannot see anything until we are taught to see it. I was enjoying the painting because of the way Tarbell captured light, when a man and his wife joined me. The man said to his wife: "This is a wonderful painting, but I wonder whose lap the baby is on.". I was shocked because I was not able to see the baby till he mentioned that there was one. I noticed that it was indeed difficult to tell whose lap it was on. It was a transformative and humbling experience.
The reference for this painting was a quick snap I took at the roadside on a trip up to Angelsey. Didn't really manage to capture the scale or the atmosphere.
I know it looks a little sunny, but the reference photo for this one was a winter shot. It's the countryside in the hills surrounding Carreg Cennen castle, Carmarthenshire, Wales
