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I tried to go a different approach this time with my planets. I was tracing the circle and I said to myself wait a minute, it doesn’t have to be one planet they can be 2,3,4,5 planets if I wanted too, so I decided to just draw circle on top of the circle and then a smaller planets next to it just make it more interesting. I have all the space so I should be able to use it. I also did the same thing on another panel and then that’s pretty much it and you’ll see the rest of it tomorrow.
Well... My school got closed for 2 weeks due to COVID-19. I think that the virus is a relatively serious thing, but closing schools isn’t going to do anything. The virus will still be there when we come back. I’m glad for the break, but I know I will find myself bored at some point. This means a lot of random paintings and drawings :)
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
My latest sketch using Corel Painter 2021 on PC with digital pencil. The Tufted Titmouse (Baeolophus bicolor) is a small, grey-plumed songbird, easily recognized for the crest of grey feathers atop its head, its big black eyes, black forehead, and its rust-coloured flanks. They are quite common throughout the eastern part of North America, so if you're in that geographical region and want to catch a glimpse of a Tufted Titmouse, it may not be that difficult to find.
To draw a forest so it's big enough you don't include the tops of the trees or any sky. Just very thick tree-trunks growing absolutely straight.
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In a proper painting of a forest everything is roughly the same colour, the moss, the tree-trunks and the branches of the fir trees, everything is soft and solemn, half-way between grey and brown and green but very little green. If you want you can add a princess, for example. She is always white and very tiny and has long yellow hair.
Sculptor's daughter by Tove Jansson.