Magnolias are spring harbingers in our garden, as well as our annual ornamental cherry display. Star magnolias are over, tulip magnolias are in full swing, and the occasional Southern magnolia is starting. Perhaps I should have done this with a gouache paint, but I used colored pencils. Oh well. Outlined after with various sizes of Pigma Micron pens.
Our garden: www.edgewoodgarden.com
Flying Robot in the Sky, watercolor. I used my new Holbein paints. (I love them.) Drawn with a Pilot Falcon SEF using Platinum Carbon Black. A trifecta of Japanese paint, pen, and ink.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
This started as some scribbling with Inktense pencils on large plain drawing paper. Then I was done, I wanted to wet the the drawing to release the "ink," but I found that the paper would not take water without drastic buckling. So, it remains a drawing rather than becoming a painting.
Annuals are encouraged to seed in the less formal beds in our large garden.
We tend them, photograph them, and I draw and paint them. This is a colored pencil (Prismacolor) drawing of one of our seedling poppies. It was an odd form. Not exactly a single, nor a double and lacked the common cross markings in the throat.