Watercolors and fineliners on Aquarelle, 300 GSM. Fantasy has always appealed to me ever since I was a kid, and I often find myself lost and wandering around in the fantastical world of "could've been's"
This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
I wanted to draw a crowned animal with a crest on top of its head. Originally , this was colored with colored pencils but I didn't like how it looked so I tried to save it by painting over it with acrylic paint.
I did this mostly from the imagination.The perspective is a bit off,but I still like it. Its of a peat bog in Ireland. A peat bog is similare to a marsh except the mud or soil solidifys, and then it can be cut for fuel.
Gouache on Arches watercolor paper. I have been living overseas for 6 years now with my wife. (Originally from the states) We have lived in Seoul, South Korea, Ho Chi Minh City, Vietnam, Tel Aviv, Israel, and in the Summer we will move once again to Kuala Lumpur, Malaysia. So this is a painting is a sort of self-portrait.
This is the second lino cut print I made using motifs from my surroundings here in Vienna, Austria. I enjoyed learning this when I was in Art College in Australia back in the day and my passion is now re emerging for it.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
A piece for an abandoned 5E adventure module; a portrait of the eccentric and reclusive host and owner (and victim) of the manor at which a garden party is interrupted by an unexpected murder.
