This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
This piece critiques the modern tendency to hide identity behind brands and consumerism.
* Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze.
* Symbolism:
* The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed.
* The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly
"seeing" the individual, while simultaneously restricting the individual's full sight of the world.
A gang of four lizards coming together to embrace their geeky hobbies. I draw these lizards for about 20 years and I love em. It's art for my blog orderlycreativecreations.com
My latest illustration! I recreated my character Okimoto Manami (a computer graphics piece back in 2013) in a traditional Japanese setting. She is in a traditional house overlooking a garden that has a pond, a cherry blossom tree and a flower bush. She also has Ikebana (flower arrangement) peony piece near her. Theres also peony designs on her kimono.The kind of kimono she’s wearing is a furisode.I have advanced quite a bit in the past eight years and I prefer using traditional mediums these days! Colored pencils used: Caran d’ache luminance, Posca colored pencils, Faber Castell polychromos, etc..
This is the second edition of my snake drawing collection, the first one was titled "slipped secrets" and addressed the conveyance of information between certain parties that should not have been shared. This artwork portrays a sense of love and mutual agreement/understanding using snakes as the conceptual medium through which the action and emotion is portrayed
