I believe the future is about connection. Sometimes it seems that technology is making us more alone, but I like to believe that with every post, like, comment, follow, share, email and tweet, we are making ourselves more visible to one another. And together, we can make ourselves heard... Keep it positive, keep it loud, and keep it going forever.
The creative demon possessing me at the time must’ve either been Mark E. Smith or Radiohead’s ‘Hail To The Thief’ shaped, judging by the lyrics of this one..
I do like a good mondegreen, that much is true. See the radio edit of Royksopp’s ‘Remind Me’ for more details (I might not be mishearing the lyrics, but it’s still quite the earworm): https://youtu.be/XEQcWbbkyPY
Michael B Jordan Drawing Sketch by Oz Galeano
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Theo Von, is an American stand-up comedian and podcaster. He hosts the This Past Weekend podcast. He has appeared on MTV and Comedy Central shows. Pencil illustration colored digitally in Procreate.
While waiting in line at a convention to meet Erika Harlacher-Stone (the voice of Violet Evergarden), I sketched this from a reference. Pretty cool moment to see her reaction when I handed it to her, and I'm happy to report that she is indeed a lovely person.
#24 Anime girl doodles - I think I drew this sometime last year 2025 - I just never bothered to upload it. Most of it was sketched on Magma.com and part of the inking process was finished in Ibis Paint, with only minor adjustments in photoshop. I do all my digital inking on an iPad pro, and I use those hollow aluminum capacitive styluses that you can get very cheap just about anywhere. I prefer them over the apple pencil because the apple pencil is too slippery and heavy. More uploads coming soon...
(2B pencil on 180mm x 136mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
