One of a Series of Manager Portraits that was used by the Zero Forty Brewery to promote the events on their social media that focused on the Premier League.
One of a Series of Manager Portraits that was used by the Zero Forty Brewery to promote the events on their social media that focused on the Premier League.
One of a Series of Manager Portraits that was used by the Zero Forty Brewery to promote the events on their social media that focused on the Premier League.
One of a Series of Manager Portraits that was used by the Zero Forty Brewery to promote the events on their social media that focused on the Premier League.
This is a piece I did, based off of a prompt in a daily creating group that I am a member of on Facebook. The theme was Polka Dots (If the title wasn't obvious). Looking forward to trying out DoodleAddicts!
American soda fountain in London from a historic photo by George Grantham Bain from Library of Congress collection.
Pen: Uniball
Sketchbook: Moleskine
Watercolor: Sakura Koi
#sketch #sketchbook #watercolor #watercolour #aquarelle #doodleaddicts #showup4art #Moleskine #SakuraKoi #Uniball #ColorEludesMe
Frenchtown Station looking fro Slim’s Bar-B-Q in Paducah, Kentucky. From a beautiful @frenchtownstation photo (hope my friends there don’t mind).
Pen: LAMY Safari
Pencils: STAEDTLER graphite and Prismacolor color pencils
Sketchbook: Moleskine
In this photo I drew two Betta fish, a clock and a female in a dark background. Drawing this picture was more of a self expression. The two betta fish expressed conflict; the clock expressed running out of time and the female I guess would represent myself. I was in a dark period while drawing this, but happy to say, I’ve managed to pull through my obstacles =)
Every year my uncle asks for hand-made gifts about his "awesomeness". I whipped up a quick homage to our family tradition of playing super complicated games that inevitably end up in rule debates and many beers/wine. :)
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
Older picture I've done. At that time I wasn't used to using references, but instead I did everything from my head, as I imagined them. And this time I wanted to create a lonely arctic fox with a warmer atmosphere surrounding the animal.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
Another charcoal on cartridge portrait. The fabulous Evan Peters acting as Tate Langdon in the first season of the hit television series, American Horror Story.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
