I painted this doll with the face of a middle aged woman. I like how distressed she looks, and the glasses complete the look. I sew on hair, but it just made her look normal so I removed it.
The Super Bloom is still going in SoCal! On the trail are poppies, daisies, alyssum and now the mustard grass is in bloom. My process was an iPhone photo, then a drawing with color and then collage in Photoshop.
This is a happy accident. The evening sky was the accident that the paint bucket tool filled most of the sky. This was March of robots Month daily challenge.
I took inspiration from another photo, but can't upload it because I'm not plus. I'm new here and am open to feedback and advice. As you can see, it isn't the greatest, but I'm always trying to improve! Have a good day!
This is the very first charcoal portrait I ever made. I think I spent about 25 hours on this piece over the course of a week. Portrait Model is a Japanese singer (Gackt) and a reference photo was used. Size is 18x24 inches.
American soda fountain in London from a historic photo by George Grantham Bain from Library of Congress collection.
Pen: Uniball
Sketchbook: Moleskine
Watercolor: Sakura Koi
#sketch #sketchbook #watercolor #watercolour #aquarelle #doodleaddicts #showup4art #Moleskine #SakuraKoi #Uniball #ColorEludesMe
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
The inspiration for this collection came from a conversation I had with the Founder and Executive Director of the Underprivileged And Underserved Foundation (UAUF), George Goodwine. While discussing race and whether or not every opportunity was fair based upon someone’s familial structure or “starting line,” I was asked the following questions. How does someone overcome these hurdles? How can the playing field be leveled to make things fairer, when others may only have 50 hurdles to overcome in the same competition?
My response was simple. “The person in front of 150 hurdles has two choices. They can either get discouraged before they begin, or start jumping. In the midst of the race they might get tired, unsure, or discouraged, but if they press on to the finish line they may become more physically fit than the person who jumps over 50.”
I used to dance ballet and at the time, there were a lot of hurdles I had to overcome solely based upon inconveniences that came with being raised in low-income, single parent home. Above are pencil sketches and sharpie drawings that I have drawn from actual photos. I plan on making these images my own by adding more abstraction and vibrant color to them.
Over the course of the project, stay tuned to see how these pictures will transform into a work of ART!!! Check out my artwork at theservingartist.com
