Watercolor on Aquarelle. This piece is incredibly close to my heart. It closely resembles the emotions that I was going through when I painted it. I tried to replicate the numbness and the restlessness that I felt in the eyes.
Lucy Gray Baird of the Covey Baird! I finished this one a while ago, but I haven't uploaded in ages... This is maybe my fourth piece of digital artwork? Anyway, the shading was really fun, as was the pose.
Tada! An art piece of @xavtheidiot 's character, Zane! Hope you like it! I did the cheeks in my own kind of style, as well as the hair. Hope you don't mind. Kept her in the original outfit, too. The reason it took so long is because I am both plagued with school and an ongoing existential crisis.
I actually finally got round to framing this piece I did and hanging it up on my wall the other day, which made me really happy :).
Tool used: acrylics, colouring pencils, posca markers on brown A4 card.
Zoomed in shot of "Pattern Interrupt". 2020. Size: 32" x 40" / Micron pens on archival museum board. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork.
I have been working on this A3 double 'Pets in a Portrait' and I can't share the finished piece until after christmas as it will be a gift. I'm so chuffed with it, so heres some sneaky peaks that don't give too much away!
This one is important to me. I had been having a very long dry spell, not making any art, and then one day last Fall, while on a road trip, camping in Mesa Verde park, I drew this using some copic grey scale brush markers and a fine liner, and it was like my vision was returning. I got really into seeing, and imagining ... Anyway since then I've still been struggling to make more work, but have been making more creative things when I do get productive, and been organizing older work... It's also interesting that I titled this piece Phase Transition back in Nov '23, and subsequently had quite a sea change of life experiences, adventure, and new visions. Now if I could just sit down and draw more...
Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust
Congrats to anyone else who took part in inktober this year! I focused on combining witches inspired by different types of teas and I had so much fun! I’m conquering my irrational fear of side profiles and I think it’s working, I’ve been really liking side profiles lately and finding them easier to do. I experimented on this piece with adding freckles (they’re a feature in all of my inktober sketches but I haven’t liked how freckles have looked when I’ve dotted them in with a pen or brush) and uh, I guess it was kind of a success? Next time I’ll use my lighter shading colour for them, as I used the ink I use for my lines and it turned out really dark and concentrated, but I think they’re cute! (and I have ink sprays everywhere)
Watercolour crayon, crayon, fineliner and acrylic paint... . . . . . .. ... . ... .. ... . .. ... .. ............ . ... . . The tree is weary crying for some help, its roots are drowning and the taps on full pelt. Its head cant speak the evil, hear the evil, see it. Whilst its occupiers point the fingers at each other and dont even believe it... .. ... . .... . .. .
My favorite time of year is almost here. The cool breezy air, the colors and smells. The sounds of the last crickets, the mood of the sky. I could go on and on. This was A fun piece to work on. What will the next challenge bring?
Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
Inspired and totally copied from the style of Camilla D'errico and her Cute and Creepy Coloring Book but I had fun putting this one together. ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆૮ ˶ᵔ ᵕ ᵔ˶ ა
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
I found this grouping quite challenging to draw.
Also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae. The sculpture is a Roman marble sculpture copy of a lost Greek original from the third century BCE. The piece is in the Uffizi collection in Florence, Italy.
This piece was done in graphite. It took me about 6 hours over the course of a few days. I didn’t love how the rider turned out, but this was my first time drawing a rider so I’m not too upset about it ;) Let me know what you think! Constructive criticism is always appreciated! :)
