I truly died drawing this. And while I died, I kept adding and adding grrrr. Anyway, my new version of the goddess of nature that I did in 2014. But wanted to be truly different. The 2014 version had no flowers and was a full tree. Now she has ‘hair’ .
Spectrum noir markers, white gelpens and glitter gelpens.
I participated in an art swap challenge at Sktchy where I had to draw someone randomly assigned to me in a "space" theme. I'm so pleased with how this one turned out! Pen and watercolour, 6x4". Would love to hear what you think the story
Charcoal is a new medium for me. This is violet szabo an agent in the s.o.e during ww2. She was shot as a spy in a concentration camp on Hitler's orders.i like to draw portraits of people with interesting stories to their lives. The picture is created without lines and only with the use of shaded areas. Thanks for looking.
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
The Golden Hate on a Materic Wall, acrylic on canvas (80x100 cm), drawing on paper with frame and glass (35x50 cm), materic painting with carbonate calcium , gesso and wax
