riding while looking at your phone is a very bad idea and can land you a fine in Amsterdam but I've watched people type whole messages while riding around the city.
A stylized architectural illustration capturing the intricate beauty of a classic brick gateway and decorative ironwork. This design blends traditional sketching techniques with a modern, vibrant color palette, making it a perfect statement piece for those who appreciate urban history and fine masonry details.
Once I found a boat made of bark that was called Darling. It was very beautifully made with a hold, rudders, a wheelhouse and cloth sails. But Daddy said I didn't have to find out who owned it.
Maybe nothing is so important provided that it is small enough. At least that's what I think.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
To draw a forest so it's big enough you don't include the tops of the trees or any sky. Just very thick tree-trunks growing absolutely straight.
...
In a proper painting of a forest everything is roughly the same colour, the moss, the tree-trunks and the branches of the fir trees, everything is soft and solemn, half-way between grey and brown and green but very little green. If you want you can add a princess, for example. She is always white and very tiny and has long yellow hair.
Sculptor's daughter by Tove Jansson.
God lived on the hill above the rock-garden and there was a forbidden cart up there. At sunset he spread out like a mist over the house and the field. He could make himself quite small and creep in everywhere in order to see what one was doing and sometimes he was only a great big eye. Moreover he looked just like Grandfather.
We raised our voices in the wilderness and were continually disobedient because God so likes to forgive sinners. God forbade us to gather manna under the laburnum tree but we did all the same. Then he sent worms up from the earth to eat up the manna. But we went on being disobedient and we still raised our voices.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Grandfather was a clergyman and used to preach to the King. Once, before his children and his children's children and his children's children's children covered the face of the earth, Grandfather came to a long field which was surrounded by forests and hills so that it looked like Paradise. At one end it opened out into a bay for his descendants to bathe in.
Then Grandfather thought, here will I dwell and multiply, for verily this is the Land of Canaan.
Then Grandfather and Grandmother built a big two-storey house with a sloping roof and lots of rooms and steps and terraces and a huge veranda and placed plain wooden furniture everywhere inside and outside the house and when it was ready Grandfather began to plant things until the field became a Garden of Eden where he walked around in his big black beard. All he had to do was to point at a plant and it was blessed and grew until it groaned under its own weight.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
(2B pencil on 180mm x 136mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
Hey boos. I'm sorry I haven't been posting often. I've been really depressed recently. This morning, I though about ending it all. But I didn't. It was to close to Christmas and I didn't want to ruin anything for anyone again. I'm sorry guys. I'm so sorry.
Model Portrait Art by Oz Galeano
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(2B pencil on 140mm x 130mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
I wanted to try out death. Or at least a version of her. I think she turned out pretty well.
This is just the outline. Right now, I'm working on coloring her. Hopefully she'll turn out great.
What do you guys think?
Her name is Wendy, and I don’t know how I got the idea for her...I just wanted to draw really fluffy hair and she came out of it. Lol...It's also been forever since I've on here...I've been busy with work, but I'm finding that drawing again is really helping me wind down. So I'll probably be posting more again.
Hey Boos! This is me in kindergarten. I decided to make different eras of my life. Dino Nugget is me in kindergarten (I was misaken for a boy all the time), then there is Princess who is me in 1st and 2nd grade (I was a feral demon in a princess dress what then), then Hoodie Kid (me in 5th and 6th grade), and lastly Bell Bottom who is me in 7th grade (she wont make an appearance until I make a big change in my style cause she's me currently) anyway this is just a little project for fun.
A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
Up on a hill, deep in Deadwood
Lies an old shack, that fosters no good
Inside this shack floats a very old being
To seek it out, is to regret such a meeting
A blue floating skull, who brings sweet promises of doom
Sits all alone in a dark four corner room
Why is the reason, this being is there
Why does it beckon one to come near
Its lonely and bored
So it calls out to you
The skull was once mighty and powerful too
Causing great pain on subjects like you
The beast of an age
Caught by a mage
imprisoned in here
no longer to torment the world and spread fear
But just being caught wasn’t enough
It stifled its power but its will, was left uncorrupt
The skull, now a seeker of dreams
Destroyer of love, life, and of schemes #embracingnightmares
"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
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"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room.
The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life.
With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.