I have had an ongoing project called Hybrid Mythologies. Inspired by stories and mythological creatures, tales from different traditions and parts of the world, I have been playing with emergent stories, characters and creatures that incorporate different elements. It is really a kind of spontaneous, intuitive journey and play of associations - oftentimes surprising to myself in what emerges. This year I am planning to publish an artbook entitled Hybrid Mythologies and if it all goes according to plan, it should be done some time in May. I will post process from this book.
Rad experience joining a local drawing group for the first time yesterday although I didn't realise how inconvenient my backpack was going to be, it made me slow to set up / pack up and a few of us had to organise a locker at the gallery as we didn't know backpacks weren't allowed so I spent most of today sewing a bag/sketchbook cover which fits an A4 sketchbook, pencils, id and phone and also has some backing in it so I can easily sketch on my lap without dropping my stuff all over the place. I'm going to do a bit more work on my weird comic book page tonight but in the mean time this is my sea serpent digitally coloured, he lives at Apollo Bay and likes to sleep camouflaged amongst the lifesaver rings.
After the initial shock of creating my first sketch, I realized that I could do better. And after about a week this one was finally finished. (Would have done it sooner, but I had school.) And I once again managed to amaze myself. I never thought that it would be possible that I, who has basically no hand eye coordination, could create this.
Eve is a continuation on my series of portraits. This piece represents my maturing technique and style as I begin to experiment with creamy consistencies. The painting displayed my ability to capture facial expressions.
My trip to Paris, France influenced my painting style. I was struck by the realism and drama depicted in various compositions, but also the lack of diversity. This piece is named "Eve" questioning whether the holy subjects depicted in European art were, in fact, part of a different race altogether.
