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rai

Tanya Shyika Tanya Shyika Plus Member
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Notes from NYC: Highline

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mary ann hanlon mary ann hanlon Plus Member
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Rainbow Unicorn

A friend asked me to make this. Should I make it into a sticker or print? Uni Posca marker, watercolor, and neocolor watercolor crayons. I added this guy to redbubble, he is available as a sticker, notebook, phone case, etc.

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Jim Bradshaw Jim Bradshaw Plus Member
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Chuck that page!
1/5

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

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Tanya Shyika Tanya Shyika Plus Member
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Notes from NYC: Big City Life

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Tonya Doughty Tonya Doughty Plus Member
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Good Day

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Nora Thompson Nora Thompson Plus Member
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Galadriel

Charcoal on gessoed sketchbook paper

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Julia Hill Julia Hill Plus Member
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Teddy
1/2

Little Teddy. Drawn with my trusty 0.03 and 0.05 fineliners on A4 smooth cartridge paper. That face!!!

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Kimmo Oja Kimmo Oja Plus Member
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Tales of two towns
1/3

Another fantasy landscape straight from imagination

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Junkyard Sam Junkyard Sam Plus Member
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Rainbow Sunday

Ink & watercolor on 5"x5" Arches cold press.

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Nora Thompson Nora Thompson Plus Member
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Kenny Rogers

Graphite on paper from August 26, 1982, just out of high school

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Nora Thompson Nora Thompson Plus Member
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Bright Idea

Charcoal on gessoed sketchbook paper

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WILLIAM OBRIEN WILLIAM OBRIEN Plus Member
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RAINMAN

8.5 X 11 cardstock

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Jim Bradshaw Jim Bradshaw Plus Member
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Untitled

Moleskine spread. If I don't get it out on paper, my brain will explode and who wants that mess to deal with? Stay safe. Sketch regularly.

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Tanya Shyika Tanya Shyika Plus Member
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Notes from NYC: Chinatown

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Jim Bradshaw Jim Bradshaw Plus Member
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Birds on my brain.

Working on characters.

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GROBO GROBO Plus Member
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Checker face

Hand painted checker face for a friend.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Portrait of a Jellyfish

I aimed to have the water look believable while painting a jellyfish with long flowing tentacles. Drawn digitally in Rebelle 6 w/very minimal effects. This is not AI nor is any part of this AI.

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Nora Thompson Nora Thompson Plus Member
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Acid Rain

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Prabha Balakrishnan Prabha Balakrishnan Plus Member
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Power of lines

I never understood the power of dots and lines until I did this art! A simple change in the line from straight to curved shows projection of a hand. What a beauty!

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Dean C. Graf Dean C. Graf Plus Member
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Self Portrait with Stormy Chromer

Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.

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Morgan Elle Morgan Elle Plus Member
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Me! (now with 90%more bees)

I am REALLY uncomfortable drawing portraits, especialy of myself!

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Junkyard Sam Junkyard Sam Plus Member
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Inktober Day 8: Frail
1/5

Drawn with ink & colored in watercolor.

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Taylor MN Taylor MN Plus Member
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Illustrative Self Portrait

This drawing was done with pen and colored pencil. I wanted to create a self-portrait that could also serve as a profile picture for my art accounts. My other self-portraits tend to be realistic, so I decided to try and depict myself in my own illustrative style instead. My artistic influences for this piece include tattoo styles, pinup art, and art nouveau as well as inspiration taken from some of my favorite portrait artists, Sargent and Rockwell.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Fidelia Bridges portrait

I took a portrait collage course, and this is my first project. Fidelia Bridges painted incredible watercolors and landscapes, and the instructor assigned her as the subject.

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Annie Tate Annie Tate Plus Member
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Rainy Day in the Garden

A rainy day looking out the studio. It seemed appropriate to use water colour and pen.

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Jeff Syrop Jeff Syrop Plus Member
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Slitherin’ Rainbow
1/2

Carved rubber stamp with watercolor snail collage.

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Lana Lana Plus Member
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RAINBOW READY TO POP

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Looking Away portrait

I want the composition to be thoughtful but on the sad side. My skill practice was brush strokes and blending (but not overdoing the blending) as I try to figure out how I stylize as an artist. Still working in the realm of realism and proportions as I am a newbie, but wanna flex into stylization a bit more. I did this through Rebelle 5, which is absolutely amazing, IMO.

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Nora Thompson Nora Thompson Plus Member
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Diego and Frida

Digital painting

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Noa Noa Plus Member
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Profile Pic

new profile pic :)

  • 28
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