So thankful for this experience that I shared with my class today. For the last 3 spring semesters, I’ve had the opportunity to take my KCAI Cultural Safari senior sketchbook class to draw from donor cadavers. Every year I am reminded of how amazing and intricate the human body is. I am also humbled by the generosity of the donors giving their remains to train young physicians. The conversations that result from these encounters always prove to be enlightening and inspirational. These are a few of my drawings I made.
I aimed to have the water look believable while painting a jellyfish with long flowing tentacles. Drawn digitally in Rebelle 6 w/very minimal effects. This is not AI nor is any part of this AI.
I like this guy! Illustrated portrait resulting from my illustration printmaking techniques demo video. Inked up a piece of plexiglass and had some fun. Monoprint (or is it a monotype) + Adobe Fresco for the color finish.
I never understood the power of dots and lines until I did this art! A simple change in the line from straight to curved shows projection of a hand. What a beauty!
Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.
This drawing was done with pen and colored pencil. I wanted to create a self-portrait that could also serve as a profile picture for my art accounts. My other self-portraits tend to be realistic, so I decided to try and depict myself in my own illustrative style instead. My artistic influences for this piece include tattoo styles, pinup art, and art nouveau as well as inspiration taken from some of my favorite portrait artists, Sargent and Rockwell.
I took a portrait collage course, and this is my first project. Fidelia Bridges painted incredible watercolors and landscapes, and the instructor assigned her as the subject.
I want the composition to be thoughtful but on the sad side. My skill practice was brush strokes and blending (but not overdoing the blending) as I try to figure out how I stylize as an artist. Still working in the realm of realism and proportions as I am a newbie, but wanna flex into stylization a bit more. I did this through Rebelle 5, which is absolutely amazing, IMO.
This line from the Stephin Merritt episode of the 'She's A Talker' podcast (referring to Stephen Sondheim plot-lines) got my imagination ticking in overdrive
