red

Jackoslasho: Pen, colored pencil, and some Photoshop manually.

A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.

Color pencil piece I just finished and framed from art class.

Into November we go… quick year is an understatement, you know?

Ps i hadn't drawn Maxwell since in the Instagram era + Ps secord time drawing Maxwell from R/flamingofanclub reddit someone's abandoned Styrofoam head oc I adopted for 4 years originally named deadly soul / "Felipe's emo son" in the Instagram era last time was oct 13th (hiz bday day) last tine was 2024 instagram era if u remembered me hi aka i last draw him an another 364 days later / not the very first time drawing Felipe's emo son but this came lafe due to collage accepted me :D Ps I used ps the drawing I made on photo 1 (finished Handdrawn artwork I made) but finished artwork BETTER THEN JNKED SKETCHES AKA PHOYO 2

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Comment if you know what book this is inspired by...

"People have such a vast range of phobias with complex names, but at the same time, our brain does everything it can to protect us from madness, and so we fear far less than we should. Ironic, isn't it, doctor?" In the Nolanverse, Annie is, of course, very different from my base version, but she's still the same dedicated writer, always searching for interesting stories and "main characters" for them. Unfortunately, Jonathan was done dirty in Nolan's version. :'D He once sprayed Batman with a toxin (which led to Lucius Fox developing a vaccine), and then he kept getting clobbered, either with his fists or with a stun gun. Annie and Joker are not acquainted in this ver yet. But still, he created the fear toxin! Such potential! Annie decided he needs her guidance (no consent needed). In other words: she will chew him mercilessly. (￣^￣)ゞ

This piece critiques the modern tendency to hide identity behind brands and consumerism. * Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze. * Symbolism: * The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed. * The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly "seeing" the individual, while simultaneously restricting the individual's full sight of the world.

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Ok, so I was just playing around with some eyes. I like to spice things up. But I still like her original design.

I honestly don't like using color tones like this. I actually really enjoy the black and white contrast. I have always loved black and white images, cartoons and movies. But I try.

I'm sorry if it is sideways. It depicts a person who feels pressured by people, slowly breaking in society. Just a drawing I felt like making.

A mindless doodle with a fudenosuke pen and colored pencil.

The image features colorful, hand-drawn text with arrows labeled 'Arigato In' and 'Arigato Out'. Inspired by Ken Honda and the philosophy of Happy Money.

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An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.

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I had a VERY stressful week! 10/24

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Lindsey's prompt: Insidious Red Demon

Up on a hill, deep in Deadwood Lies an old shack, that fosters no good Inside this shack floats a very old being To seek it out, is to regret such a meeting A blue floating skull, who brings sweet promises of doom Sits all alone in a dark four corner room Why is the reason, this being is there Why does it beckon one to come near Its lonely and bored So it calls out to you The skull was once mighty and powerful too Causing great pain on subjects like you The beast of an age Caught by a mage imprisoned in here no longer to torment the world and spread fear But just being caught wasn’t enough It stifled its power but its will, was left uncorrupt The skull, now a seeker of dreams Destroyer of love, life, and of schemes #embracingnightmares

Just an amateur who’s still learning.

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

Its a work in progress. But the idea is there.

"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.