Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
A DISPUTE IN SIGN LANGUAGE.
From Favorite Folktales from Around the World by Jane Yolen.
And this is what the poultry dealer related: “The priest pointed with one finger to my eyes, meaning to take out my eye. I pointed with two fingers to imply, I would take out both his eyes."
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At the same time the priest’s friends questioned him: “What did you ask the Jew? What did he reply?” The priest related: “At first I pointed one finger, meaning that there is only one king. He pointed with two fingers, meaning that there are two kings, the King in Heaven and the king on earth."
When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3.
Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.
I stated with a rough pencil sketch then inked it with a brush pen and colored it with watercolor and gouache on a watercolor postcard. Reference I used was this excellent photo - https://www.pexels.com/photo/tree-wild-squirrel-monkey-97827/ photo by Mike from Pexels.com
I tend to use line art a lot and did this in Procreate to practice breaking free. It was gonna be a T-Rex per my son’s request but it evolved into a squirrel-like creature. Still made the T-Rex too later.
BEING GREEDY CHOKES ANANSI From Favorite Folktales around the world by Jane Yolen. One time, Anansi lived in a country that had a queen who was also a witch. And she decreed that whoever used the word five would fall down dead, because that was her secret name, and she didn’t want anyone using it. Now, Buh Anansi was a clever fellow, and a hungry one too. Things were especially bad because there was a famine, so Anansi made a little house for himself by the side of the river near where everyone came to get water. And when anybody came to get water, he would call out to them, “I beg you to tell me how many yam hills I have here. I can’t count very well.” So, one by one he thought they would come up and say, “One, two, three, four, five,” and they would fall down dead. Then Anansi would take them and corn them in his barrel and eat them, and that way he would have lots of food in hungry times and in times of plenty.
After 1-2 week ago i had a lot of work and had a stress.So on this weekend in a evening i went out for relax time with my closefriend and enjoy with jazz song night. Then I come back to sketch with watercolor for my memory.
Pastels...I've never been a huge fan of working with them, mainly because I can never seem to get them to blend or move the way I want. I think this turned out okay; it's not the worst it could've been...not the best. It was fun to try, considering the fact that I rarely try new mediums, and it got my mind off everything I've been worrying about. Anyway, enjoy.
Oh boy, markers (NOT a go-to), least favorite color, and a subject that isn’t on my radar. This was a hard one what with 3 negatives going for it. But, hey, it’s a challenge, right?
Choosing a subject came first….we have a house full of Indonesian masks and sculptures. (My husband studied gamelon music in Indonesia.) Garuda, the “mount” of Vishnu and popular with Balinese artists seemed a good choice, esp. since he can be green, red, yellow or orange.
I rarely choose yellow/orange for anything---artwork, décor, clothing...though I do have a soft spot for sunflowers.
First I drew a bunch of images based on one of our wooden Garuda sculptures and then made a simplified marking pen outline and colored it with markers.
This started as some scribbling with Inktense pencils on large plain drawing paper. Then I was done, I wanted to wet the the drawing to release the "ink," but I found that the paper would not take water without drastic buckling. So, it remains a drawing rather than becoming a painting.
At first I planned on keeping this drawing realistic. But over a week ago I learned that a dear friend lost their sibling in an accident. Then this past weekend I worked on a small project that really struck a chord with me. I helped a friend and her son record a song she dedicated to her father, who had recently passed away as well. They sang "Let it Be" by the Beatles. There was so much emotion in the air. And for the first time ever I was brought to tears after I mixed a song. For the rest of the weekend I thought about my family a LOT. Especially my Parents. They've done so fucking much for me and my brother. It sucks that, only as an adult, I realized that every fiber of who I am, and where I am now is due to their love, support, and sacrifice. This piece goes out to the people you can count on. They're there for you no matter what the cost... No matter the pain, even if it's literally killing them. It's Purely out of Love and they wouldn't have it any other way❤️.
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
This was drawn in Spiralty (a free Windows program) and colored in Photoshop. Great fun and very relaxing. I am definitely going to be making more mandalas during the rest of the pandemic.
