My first venture into artist grade colouring pencils - and I'm smitten! I never thought I could achieve such boldness and blendability with them! I'm still getting used to them and will think about choosing smoother paper with less tooth next time. The texture and weight was more for the water-based gouache along with alcohol inks (which are very unforgiving to even primed heavy paper!). Apologies for the unevenness of lighting between the 2 sides of paper; will correct that when I'm making proper image files.
I have been participating in Lauren Hom’s #HOMwork challenges via Instagram. This weeks challenge was to draw the same letter 16 ways. I drew cats instead. I may come back to the whole lettering thing at some point!
For any of you missing the outdoors: Picture yourself sitting on the edge of the lake, dipping your toes in the cool water. Feel the wind whisk around you as the sun goes down. You can hear the birds chirping as they settle in for the night. And if you listen close enough, you can hear the old pines whispering tales and stories of the forest long ago. :)
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
So I've really been trying to raise my digital art game because I've been a traditional artist most of my life. I'm trying to reach Loish level with color at least. Also, I love the fall season and the chill in the air it brings
I thought I would play with crayons this morning. The bird with the cute hairdo is a Livingstone’s turaco from the family Musophagidae. Found in the subtropical lowlands of southeastern Africa. This bird’s plumage is the color of spring. Crayola crayons on toned tan sketch paper.
I asked my husband (who is our Covid-period grocery shopper as I am high risk) to bring home a fruit to draw. He came home with a dragon fruit. For those who don't know this interesting edible, it's from a cactus. There are two species: the Asian species is white inside, the Central American variety is shocking pink (see photo). Great in smoothies or when nicely ripe (as this one was) it's tasty eaten out of the skin with a spoon.
Congrats to anyone else who took part in inktober this year! I focused on combining witches inspired by different types of teas and I had so much fun! I’m conquering my irrational fear of side profiles and I think it’s working, I’ve been really liking side profiles lately and finding them easier to do. I experimented on this piece with adding freckles (they’re a feature in all of my inktober sketches but I haven’t liked how freckles have looked when I’ve dotted them in with a pen or brush) and uh, I guess it was kind of a success? Next time I’ll use my lighter shading colour for them, as I used the ink I use for my lines and it turned out really dark and concentrated, but I think they’re cute! (and I have ink sprays everywhere)
White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.
Watercolors and fineliners on Aquarelle, 300 GSM. Fantasy has always appealed to me ever since I was a kid, and I often find myself lost and wandering around in the fantastical world of "could've been's"
Outside my drawing table window are straight and weeping birches. We lost one of the birch trucks and, tragically, a beautiful OLD Japanese maple during an ice storm a few years ago. The third trunk is still in my mind's eye.
More ballpoint pen experiments. This was trying to "blend" colors, using ball point pens in a similar way to colored pencils. I found Layering evenly to be pretty difficult, esp with the pens blotching and very very limited burnishing. The interesting thing is that the paper doesn't seem to get "tired" the way it does with pencils. This is just cheap printer card stock.
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
A breakdown of the Bic4 pen and No-name 10 colour pen layering that I’ve used.
Drawing in a single direction instead of using back-and-forth movement alleviates some of the blotching that happens when using ballpoint pens. The back-and-forth method usually deposits the gunk that builds up on the tip of the ballpoint, smearing them in unexpected and unfortunate places on the drawing. When using the back-and-forth method, I usually have a napkin handy in order to clean the tip of the pen. Model: Meadhbh (Maeve)
I actually finally got round to framing this piece I did and hanging it up on my wall the other day, which made me really happy :).
Tool used: acrylics, colouring pencils, posca markers on brown A4 card.
After struggling with horse anatomy from photos, I finally decided to search for white horses, figuring that I would be able to see details more easily than on darker photos. It worked out well, the details were much more discernible.
