OH SNAP! If you're wondering about the song Timothy was singing a few pages back, it's from the "Ollie & Scoops" episode, Old Crumplecranks. It can be found here. https://youtu.be/GqoFrHoWJJM?si=zr-jqtgMtfrY1Oh6
We often have the habit of hearing something or seeing something and then believing that we understand what we just witnessed. This latter sentiment is not always the case.
Thoughts, ideas, concepts, philosophies - simple, great, complicated, deep: they all present challenges to our faculties of perception. We struggle to understand one another, often without considering these challenges though they are certainly there. We also struggle to communicate those things to others, and sometimes even to ourselves.
Here is the OC Challenge! Start off with gender of your choice. Your fruit depends on your birth month. Jan-Banana Feb-Strawberry March-Watermelon April-Kiwi May-Starfruit June-Grape July-Apple August-Pumpkin Sept-Plum Oct-Cherry Nov-Lemon Dec-Dragonfruit. Give your OC a fruit hat. The eye color is the color of the shirt you are currently wearing. Hair color is the color of your bed sheets. Outfit color will be the color and/or pattern of your favorite fruit. If you are wearing socks give them a fruit staff; if you are barefoot give them a fruit wand.
I wanted to try a drawing that uses a monochromatic color palette. I found the process to be very enjoyable. It can feel limiting at times, working with only one color of varying shades. Specifically when choosing the amount of shades you're working with. It's also a nice alternative when I can't think of a color scheme that uses different colors.
Dreaming of that face again, its bright and blue and shimmering. Grinning wide, and comforting me with its three warm and wild eyes — tool - third eye (#embracingnightmares)
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
I was trying out different color palettes to see which one I preferred. The top palettes are based off the mimic octopus and the blue-ringed octopus, respectively. The rest aren't inspired by anything, I just thought the colors looked nice.
During last summer I spotted this dude riding round and round Vondelpark towing his big ass speaker so everyone can hear his selected music choices. funny but also a little annoying.
The form of Martial Arts introduced by Bruce Lee embraces `being formless’ as a central idea. Sharing this belief, my works do not start with an intention of what to make, but rather the process is to follow-through to what the works wish to become. In Jeet Kun To, the practice is to `be water’, to react and to blend. Instead of following the artist’s desire to direct the brush, I enhance, without an intention to change or render. The composition dropped from elsewhere as a message and is polished to shine.
This is NOT my artwork, this was given to me as a graduation gift from my brother. This was during the drought so not a lot of us could get a bouquet of flowers, my brother asked our art teacher to do an extra print for me. When I found this in my gift bag I was already emotional and almost cried. This was better than a bouquet of flowers, one of my favourite birds in my favourite medium.
Flight of the bumblebee The lifecycle begins in spring, when rising temperatures awaken a queen bumblebee that has been hibernating alone in the soil. The queen will have spent the entire winter underground, using up reserves of energy stored as fat in her body. When she first emerges, she feeds on flowers, drinking nectar to gain energy. She will then begin to search for a suitable nest site. Frequent nesting sites include holes in the ground, tussocky grass, bird boxes and under garden sheds.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.