Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
Most of the painting is the glory of God all around. The very small Church in the background signifies our very small, very limited understanding of God.
I have a certain energy that runs through me, almost like a current. Balancing this energy can be quite a challenge, but I have found that meditation helps me to find my center. I like to quiet the noise around me and focus on my inner truth. Sometimes, I begin my meditation with my eyes closed, allowing my emotions to guide me in sketching out my experiences. This helps me to open up my channels of creativity, which I am currently using to work on my upcoming novel. I can't reveal too much about it yet, but I hope you will enjoy the sneak peeks I'll be sharing as I work toward completion.
The solar eclipse was incredible for me on many levels ~ In deep mediation the movement of the solar eclipse inspired me, grounded me and offered an intense level of focus and internal balance of the feminine and masculine within us all ~ Parts of this ongoing collage has been done with the left hand. Grounding and clearing tools I like to use: Florida water, Sage ash, Palo ash (all ethically sourced and pure)
Bob the Drag Queen is a legendary performer and personality. She is one of my favorite people. I kept the composition simple to focus on shading and facial dimensions. I paid close attention to not lightening her skin tone and respecting her heritage but also contrasting the gold dress and blue background.
Was initially going to try coffee painting with this one, but that clearly wasn’t happening...
Hence the mentioning of divorce here, it being my expectations being split from the reality this time around. Still, things worked out in the end!
I've been practicing drawing portraits for a few days now. This is from a session I did over lunch where I was just messing around trying a few different things.
A vibrant, hand-drawn marker illustration featuring a rustic wooden cabin perched on the edge of a tranquil lake. The foreground is filled with glowing green lily pads, leading the eye toward rolling green mountains under a bright, cloudy sky. This piece captures the essence of a peaceful summer escape and the beauty of lakeside living.
A vibrant, hand-drawn sunflower illustration featuring bold marker strokes and a rhythmic, blue-sky background. This piece captures the energy of a summer day through an impressionistic lens, blending warm yellows and oranges with cool, textured blues.
In fact, she [Mummy] said after a while, we have gone into hibernation. Nobody can get in any longer and no one can get out!
I looked carefully at her and understood that we were saved. At last we were absolutely safe and protected.
This menacing snow had hidden us inside in the warm for ever and we didn't have to worry a bit about what went on there outside. I was filled with enormous relief, and I shouted, I love you I LOVE YOU, and took all the cushions and threw them at her and laughed and shouted and Mummy threw them all back and in the end we were lying on the floor just laughing.
Then we began our underground life. We walked around in our nighties and did nothing. Mummy didn't draw. We were bears with pine needles in our stomachs and anyone who dared come near our winter lair was torn to pieces. We were lavish with the wood, and threw log after log on to the fire until it roared.
Sometimes we growled. We let the dangerous world outside look after itself, it had died, it had fallen out into space. Only Mummy and I were left.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A cow thinks he can jump over the moon, so he's leapt and employed wings to succeed. Moral of the story: Believe in yourself. If you believe you will succeed, the chances are very likely you will.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.
If i was real youd see me cry
If i was real youd watch me die
If i was real youd spit in my eye
If i was real youd know a lie
If i was real youd know my name
If i was real id bring you shame
If i was real id show you pain
If i was real id drive you insane
But im not real
Im just a name
Meet me in the dark
Meet me in the light
Ill crawl inside your skin
Eager for a bite
Ill coil around your thoughts
Let me stay
Together we can obsess
Over every shade of grey
Deny my existence
Dont say my name
I dont love you
Make no mistake
Im not here for salvation
Im here for the pain
Embrace me my child
Nightmares
My name
#embracingnightmares
So I'm calling this part 2 of the cover concept since I need to do the background as well. But I'm still pondering that, I just wanted to put an update on here.
A colorful aerostatic hot air balloon seen from below sits against a deep blue, starry background. The design is vibrant with red, white, and blue segments, surrounded by scattered small yellow and white accents.
