I was going through some of my old work from a few years ago and I wanted to see the difference. I uploaded the original sketch. I like my art and my style. I see the growth. I. Am. Happy!
I'm great at doing the prep work for a big project. But Wrecks is always there to remind me how anxiety inducing a project of that scale is. So, he throws me into another one I'm not prepared for.
I started by thinking up the most awful things I could, which wasn't particularly difficult. When I had made things as awful as possible I took a run and bounced off the floor and flew away from everything, leaving it all behind me in a deep well. Down there the whole town was burning. Down there Poppolino was padding around in the studio in the dark screaming with loneli-ness. Down there sat the crow saying: it was your fault that I died. And the Unmentionable Thing crawled under the mat.
But I just went on flying.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Then everything started shrinking. Every piece of furniture became elongated and narrow and disappeared towards the ceiling. There was something crawling under the rag rugs in the hall. It was also narrow and thin and wriggled in the middle, sometimes very quickly and sometimes very slowly.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
"Lost little red." *He took a step closer as he towered her smaller form. He chuckled lowly as if her mere presence was a joke to him. He reached out, his long, sharp, black claws touched a strand of brown hair. "What a little snack you'll make."
The European Goldfinch is a striking small finch with a distinctive red face and black-and-white head. Its wings are black with a bright yellow wing bar, while the body is mainly buff or light brown.
During the breeding season, the bill of male and female goldfinches is white, but at other times of the year, it is marked with a black tip.
Female goldfinches are very alike in appearance to males, and visually, it is hard to tell them apart from a distance. At close range, the sexes can be distinguished by the size of the red facial patch, with the females not extending past the eyes as it does in males of the species.
Juvenile goldfinches do not develop adults' red, white and black facial markings until the late summer or autumn after hatching. Until this point, they have streaky buff-brown markings on their heads. Info: Birdfact . com
A Female Pied Flycatcher Ficedula Hypoleuca…
The Pied Flycatcher is a summer migrant to the UK.
As the name suggests, it feeds on flies that are caught by making a quick dash from an obvious perch. There are around 40,000 pairs in the UK each summer. The Pied Flycatcher is a small unmistakable bird that often sits with drooped wings. It spends its winter in Africa.
Identification:
Adult
Adult males and females share the same plumage pattern but are different colours.
Male Pied Flycatchers are small and chunky,13cm in length and are black and white all over, they are quite unmistakable.
The upperparts are black and white, tail is black with white base to outer tail feathers, rump is a slightly paler, back is jet black, wings are black with white wing patch (tertials)
The nape and head is black except for small white patch above the black bill. Chin and throat white, extending to form a half collar.
The entire underparts are white, ie; chin, throat, breast, belly and undertail coverts. Legs, bill and eye black.
Females are brown versions of the male although tail is dark, no obvious white patch over the bill and the collar is less distinct. #piedflycatcher #brd #birdart #birdartist #birdsketch #birddrawing #bampidraws #birdlovers
In fact, she [Mummy] said after a while, we have gone into hibernation. Nobody can get in any longer and no one can get out!
I looked carefully at her and understood that we were saved. At last we were absolutely safe and protected.
This menacing snow had hidden us inside in the warm for ever and we didn't have to worry a bit about what went on there outside. I was filled with enormous relief, and I shouted, I love you I LOVE YOU, and took all the cushions and threw them at her and laughed and shouted and Mummy threw them all back and in the end we were lying on the floor just laughing.
Then we began our underground life. We walked around in our nighties and did nothing. Mummy didn't draw. We were bears with pine needles in our stomachs and anyone who dared come near our winter lair was torn to pieces. We were lavish with the wood, and threw log after log on to the fire until it roared.
Sometimes we growled. We let the dangerous world outside look after itself, it had died, it had fallen out into space. Only Mummy and I were left.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A vibrant, hand-drawn urban sketch capturing the quiet magic of a black cat wandering through a Mediterranean-style alley. Featuring warm orange and yellow hues, loose marker strokes, and a whimsical atmosphere, this piece brings the warmth of a European summer right into your home.
New sketchbook time already? Seems like it!
Kicking off the new volume “Digital Analog Native” with some Tails fan art, because that’s how we do it :-)
If a thousand girls walked past under this tree not one of them would have the faintest idea that I am sitting up there. The pine cones are green and very hard. My feet are brown. And the wind is blowing right through my hair.
Sculptor's daughter by Tove Jansson.
#dailydrawing #toveJansson
To draw a forest so it's big enough you don't include the tops of the trees or any sky. Just very thick tree-trunks growing absolutely straight.
...
In a proper painting of a forest everything is roughly the same colour, the moss, the tree-trunks and the branches of the fir trees, everything is soft and solemn, half-way between grey and brown and green but very little green. If you want you can add a princess, for example. She is always white and very tiny and has long yellow hair.
Sculptor's daughter by Tove Jansson.
A doggy in a heart shaped hot air balloon, hold a valentine in it's mouth, with three arrows directed at the balloon, and the text "I'm Out to Get You."
From the chaotic artist mind pours the energy needed to grow your future. A little seed takes growth in your life and stretches across everything manifesting ideas into tangible results.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
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Pipe Wrench — 16×20, graphite & acrylic accents
The next addition to my growing Tool Series. # 6
A classic pipe wrench rendered with tight line work, layered shading, and subtle grit that brings out every ridge and tooth. I leaned into the industrial personality of the tool—solid, heavy, built for work—and let the shadows do the storytelling. It’s a tribute to the objects that shaped my childhood and still live on in my shop today.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
So this beauty is an Alien Princess of her galaxy. But because its my WORLD there are multiple. Her crown are the number of planets within her realm. Each galaxy will have a limited amount of planets and life forms.
“Revising the Future” captures the exact moment creation becomes correction. Using my own drawing hand as the model, I built this piece through a cycle of sketch, pause, observe, and refine — letting the act of drawing guide the artwork itself. The eraser actively lifts portions of the page, symbolizing the choices we adjust as we grow, the mistakes we confront, and the quiet courage it takes to reshape the path ahead.
"People have such a vast range of phobias with complex names, but at the same time, our brain does everything it can to protect us from madness, and so we fear far less than we should. Ironic, isn't it, doctor?"
In the Nolanverse, Annie is, of course, very different from my base version, but she's still the same dedicated writer, always searching for interesting stories and "main characters" for them.
Unfortunately, Jonathan was done dirty in Nolan's version. :'D He once sprayed Batman with a toxin (which led to Lucius Fox developing a vaccine), and then he kept getting clobbered, either with his fists or with a stun gun.
Annie and Joker are not acquainted in this ver yet.
But still, he created the fear toxin! Such potential! Annie decided he needs her guidance (no consent needed). In other words: she will chew him mercilessly. (￣^￣)ゞ
I've burned through 6 weeks straight of non-stop drawing. I think it means I'm healing up from a painful relationship I needed to end. Sometimes we attract someone due to a perceived chemistry. Then one day we wake up and realize that chemistry is acid and this isn't actually love. This is a distortion. And I don't need to walk through this pain anymore. I've actually grown enough to recognize that being alone, without pain, is a thousand times better than being with someone who refuses to recognize their behavior. Some people have no idea that words can do much more damage than a weapon. Words can kill. If you can't control your tongue, then don't speak. Make this a rule for your life if you care for someone.
