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Junkyard Sam Junkyard Sam Plus Member
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Happy Brown Hat

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  • 2
Nora Thompson Nora Thompson Plus Member
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Lambert

Acrylic on skateboard

  • 390
  • 7
  • 2
Nora Thompson Nora Thompson Plus Member
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Rick (Plague Doctor)

Charcoal on mixed media paper

  • 479
  • 7
  • 2
Nora Thompson Nora Thompson Plus Member
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Flapper

Charcoal on gessoed sketchbook papet

  • 398
  • 7
  • 0
Nora Thompson Nora Thompson Plus Member
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Onion Core

Charcoal on gessoed sketchbook paper

  • 475
  • 7
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Nora Thompson Nora Thompson Plus Member
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Volans

Charcoal on gessoed sketchbook paper

  • 745
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Dean C. Graf Dean C. Graf Plus Member
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When the Trees Are Still Thinking

A Brief Pause at the Edge of Becoming It seems I am always seeking a place to sit— not just to rest the body, but to settle the soul. Yet even in stillness, Gary Brecka’s words whisper: “The quickest way to old age is the aggressive pursuit of comfort.” So I do not stay long. I walked until I found a picnic table beneath a canopy of bare-limbed trees, branches like open hands waiting for green. The blue spruces nearby— stoic, unchanged, whispering that some things endure. I sketched. Not perfectly. Not for anyone’s praise. Just a mark to say: I was here. Alive in this in-between. Waiting. Listening. Not for leaves— but for something truer than comfort. Thank you for joining me in this small noticing. A moment borrowed from the rush. A table. A tree. A thought. A gift.

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Dean C. Graf Dean C. Graf Plus Member
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Passing Marks

I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root. And yet… I am assigned to hallway duty. This is compulsory education, after all. So I sit—posted like a sentinel—watching young lives stream past. “Get to class,” I say with a smile and a nudge. The system wants attendance; I’m hungry for presence. Armed not with a whistle or clipboard, but with a pen— my scribble’s soft insurgency. The hallway stretches out like a geometric hymn. Columns and corners chant structure. Teenagers swirl past—half-formed galaxies of limbs and laughter— their orbits chaotic, their gravity pulling time forward. I begin to draw. Not their tardiness, but their motion. A shoulder. A blur of sneakers. A tilted head chasing freedom. Feet flickering like seconds. Each mark a pulse. Each smudge a breath. My paper becomes a seismograph of seeing— trembling gently through the mundane. This isn’t about making art for a frame or a feed. It’s about refusing to leak away in the fluorescent hum of obligation. It’s a quiet mutiny against the clock. I do this on long car rides, too (passenger side, mind you). Letting the lines grow wild, jagged, and unapologetic. Not for polish— but for presence. This is how I remember I’m still alive. Still growing. Still watching. Still choosing to see. Because sometimes mental health looks like a piece of scrap paper, a moving pen, and the simple, sacred act of marking time with wonder.

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Bleu Hope Bleu Hope Plus Member
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“The Tough Get Growing”, October 2024.

Inwardly things…

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Nora Thompson Nora Thompson Plus Member
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Gentleman Scarecrow

Pen & ink on Bristol

  • 532
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Nora Thompson Nora Thompson Plus Member
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Flame

Acrylic on wood

  • 238
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Kevin VanEmburgh Kevin VanEmburgh Plus Member
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Crow

I painted this crow with the idea I would put some paint around him. Still working on that part.

  • 165
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Nora Thompson Nora Thompson Plus Member
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Sewing Box

Ink on paper

  • 305
  • 6
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Nora Thompson Nora Thompson Plus Member
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Something Like This?

Acrylic on wood

  • 287
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Bleu Hope Bleu Hope Plus Member
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A Shade Of Alasdair Gray, February 2021.

New sketchbook time! Had to throw in a shark. No idea why, just did :)

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Nora Thompson Nora Thompson Plus Member
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Amanita

Acrylic on wood

  • 371
  • 6
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Nora Thompson Nora Thompson Plus Member
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Reese

Colored pencil on toned gray paper

  • 441
  • 6
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Nora Thompson Nora Thompson Plus Member
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Bea

Acrylic on cradled board

  • 414
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Nora Thompson Nora Thompson Plus Member
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Young Dracula

Pen and ink on toned gray paper

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Nora Thompson Nora Thompson Plus Member
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Barleywino

Graphite and iron oxide recovered from acid mine drainage on watercolor paper

  • 437
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Nora Thompson Nora Thompson Plus Member
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Snowboarder

Acrylic on wood

  • 406
  • 6
  • 2
Nora Thompson Nora Thompson Plus Member
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Goodbye

Acrylic on cabinet door

  • 393
  • 6
  • 4
Nora Thompson Nora Thompson Plus Member
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Corr

Charcoal on gessoed sketchbook paper

  • 415
  • 6
  • 0
Nora Thompson Nora Thompson Plus Member
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Stanley Steamer

Charcoal on gessoed sketchbook paper

  • 501
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Pat Henzy & Cici Henzy Pat Henzy & Cici Henzy Plus Member
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Fall Moon

I had something bum me out a little bit today. Nobody’s fault but it is what it is. So I decided to draw this up. I’m ready for fall and fall beers! I love to sit out under the moon once the temperature drops a bit and have some marzen lagers and other fall drinks. I felt like this captured the moment perfectly. I am excited for music fest in @havertownlife havertown tomorrow. I heard @levantebrewing will be pouring at brick and brew so I’ll be there sucking back some suds. I’m glad I forced myself to learn #adobeillustrator I’ve come a long way. Since then I have been able to help other artists that don’t use Illustrator or vectors and I am pretty proud of that, because when I was in their place it always felt like a huge struggle.

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Junkyard Sam Junkyard Sam Plus Member
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Untitled

Ghost Circle. Drawn using a Platinum 3776 Century SF with Noodlers 41 Brown ink. Painted with Prima Watercolor "Decadent Pies."

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Annie Tate Annie Tate Plus Member
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Baby Banksia

The forest nearby is full of baby banksias growing in poor gravelly/sandy soil which they do better in. The little one was growing on the edge of a gravel road.

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Nora Thompson Nora Thompson Plus Member
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I Me Mime

Ink, charcoal and carbon pencil on paper

  • 234
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Nora Thompson Nora Thompson Plus Member
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Dawn of the Dusk

Ink, charcoal and carbon pencil on paper

  • 298
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stacey walker oldham stacey walker oldham Plus Member
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gold + brown ditsy

tiny gold and tan flowers on rich brown

  • 170
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