This piece was commissioned by a coworker. It was a very large piece at 24"by26" on green leather. I used an acrylic base and then completely covered that with oils. It becomes very dusty when dried so I added many layers of a spray varnish for oils on top. The color remained nice and vibrant.
A preview of my #WIP of Cece from FOX's New Girl. This was from my digital illustration of the New Girl cast from Season One, Episode One. I love watching process videos and images.
(HB pencil on 110mm x 90mm paper) Another of my now yearly drawings that I use for Christmas cards which I send out to various people. As ever, these cards also included its own seasonal tale, which you can read here: http://www.skavart.co.uk/2018/12/merry-christmas-2018-last-nativity.html
My friend wanted nautical creatures for the back of her business cards, so VOILA. These are ink doodles that were scanned and given some color/grunge in Photoshop.
I went to Florida and kept a chronicle of my adventures! This is part 1 of 3, in which my husband comes down with Lyme disease and I go to Walt Disney World's Animal Kingdom. I realize my address is in here, but it's a PO Box, so I'm not worried. Feel free to send me drawings; I'll send you something back if you include a return address.
•EMI ♡ DOODLE•
I’m a Doodler ( Doodle Artist ).
Constellation Collection
-The Sea Goat-
The Greek Mythology of the sea goat, half goat and half fish. The top represents as the land the tail represents as sea. It’s belong to the earth element as well, and It’s my favourite constellation of all.
(2B pencil on a 87mm x 139mm postcard) The idea of owning an exotic pet was always used in comic book adverts. The most well known one being the sea monkeys. People thought they were getting something really special, until it was pointed out to them that they were just brine shrimp. But imagine if something like a pet demon was available!
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
