I start this just doing random doodling at upper black part and because it looks quite nice i start to search reference from my phone. Found one shot month ago at beach with dramatic clouds
A pixel piece from a comic I've been working on. Pixels have always had soothing quality for me, Its time consuming but enjoyable. Inspired by some surreal dreams, I've always wondered what sort of amazing creatures remain hidden in the depths of the sea.
This is a pumpkin caving of the infamous Nautilus submarine, owned by the pirate captain Nemo . Who sunk ship that supported war, ramming them with his submarine. In this tale Nemo's ship gets attacked by a monstrous giant squid. I caved this design at the Chadds Ford Historical Society's Great Pumpkin Carve contest and event. This is a live carve event. Artist have no idea what kind of pumpkin they will be given to carve. No knowledge of shape, color, size, or condition. Competitors must create their design with manual hand tools. Cavers have 6 hours to create their master pieces, to be considered to qualify to be judged ,to compete for the prize . The size of the average pumpkin is from 200 to 400 pounds , and their wall are about 5 inched thick. It took me 6 hours to carve my pumpkin design. Stephen J. Vattimo 10/18/2021
One of my favorite times of the year is Autumn. It’s a time that reminds me how blessed I am for the rich friendships I have in my life. It’s also a time I enjoy making new memories with relatives I have a deep emotional bond.
And for some reason, pumpkins symbolizes this wealth of love I have for these loved ones. Maybe because orange is a passionate color for me. Or maybe because the color orange is abundant during this season when warm a fuzzy feelings show up when I’m with my loved ones. This hue is in pumpkins, persimmons, hot apple cider beverages, cinnamon spice on pies or lattes, and the obvious autumn leaves.
But my focus for this illustration were big, fat pumpkins. I love hugging and squeezing them and feeling it’s cold flesh on my skin. I look forward to my next bite of pumpkin pie from our very good friend, Terry, who makes them very excellently!
One of the very few times I've actually drawn a fursona, in this case a seal. Not really anything to it, I don't have a backstory for this OC it just exists now.
“In Caribbean mythology, the lusca or luska is the term given to one of the most feared sea monsters in the region. A deadly creature that prowls the deep and feeds on the unsuspecting. A being or a pod of beings that scour the Gulf eating up all in its wake. The lusca is a chimera; a mismatch of animal parts. A conglomerate of some of the Caribbean’s most feared creatures. It is a cryptid that said to hunt and prowl the Gulf and areas near the Mexican shore. Luscas are one of the lesser known cryptids of the deep. They are also one of the most fascinating not only on account of its fearsome symmetry but of the mystery that surrounds them...”
This is a painting of a first century Galilean fishing boat, most likely the very type of
boat used by Peter when he was called by Jesus to follow him.
This illustration is part of a bigger mural I am working on, about the ministry of Jesus
the Christ.
If you notice, the boat is beached facing backward, with the fishing net coming from
the back of the boat. This is to signify that Peter, like all the other apostles, except
Matthew the tax collector, dropped their fishing occupation and followed Jesus, Who
would make them the fishermen of men’s souls.
Here is a truth about me as an artist. Two parts of this painting gave me trouble in
carrying out this illustration. The fist was illustrating the ropes of the rigging. My first
attempt was horrendous it took me a second try to get it right. I had to look up pictures of ropes on the Internet to overcome this challenge.
The second was illustrating the rocks on the bottom of the Sea of Galilee and the
reflections of the boat on the water. I must have made about five attempts until it
finally clicked. Even when I kept looking at the reflections of boats on water, I could
not make the breakthrough.
In creating the kind of art that I do, it is very rare to find a model that meets all my
requirement for what I am illustrating. So, it takes photos and imagination and the
grace of God to create an illustration that looks better than a stick figure and communicates the message intended.
So, I figure God has me go through these challenges to keep me humble because, without humility, God is not able to use our talents for His glory.
(October 12, 2017)
On September 1, 2015, the NHAI and AETPL (AE Tollway Private Limited) (a Concessionaire), a SPV of IRB Infrastructure Developers Ltd., went into a Concession Agreement to make, work and keep up the Agra Etawah Bypass NH 2 Project. The franchise season of the Project is quite a while from the Appointed Date. The Concessionaire is allowed to accrue the exhorted customer cost from the road customers during this period.
https://www.youtube.com/watch?v=DucTK7ejEg0
I did the water texture according to a tutorial by James Chapman, found on Instagram. The steampunk seahorse was an idea from a lady I am following on Instagram as well (look for @carrieisartsy) This piece is done on a paint chip card with poscapens, a gold marker and fineliners.
