And here it is: The Transfiguration! in color ^_^ Elijah and Moses with Jesus and the Apostles from left to right: James the Greater, John and Peter. I have his stigmata in gold because we hadn't recieved the wounds yet but this vision is a big revelation and confirmation of His divinity and mission so I put some signs there, but the apostles would not yet understand, but after they would.
Matthew 17: 1-9
[1] And after six days Jesus taketh unto him Peter and James, and John his brother, and bringeth them up into a high mountain apart: [2] And he was transfigured before them. And his face did shine as the sun: and his garments became white as snow. [3] And behold there appeared to them Moses and Elias talking with him. [4] And Peter answering, said to Jesus: Lord, it is good for us to be here: if thou wilt, let us make here three tabernacles, one for thee, and one for Moses, and one for Elias. [5] And as he was yet speaking, behold a bright cloud overshadowed them. And lo, a voice out of the cloud, saying: This is my beloved Son, in whom I am well pleased: hear ye him.
[6] And the disciples hearing, fell upon their face, and were very much afraid. [7] And Jesus came and touched them: and said to them, Arise, and fear not. [8] And they lifting up their eyes saw no one but only Jesus. [9] And as they came down from the mountain, Jesus charged them, saying: Tell the vision to no man, till the Son of man be risen from the dead.
the Jack of the Lantern. He stalks through the night on his broom of flame. Laughing all the way to unholy Hell. He takes what he pleases, he takes many souls. And he vanishes into the darkest of the shadows.
My friend Steve from the art studio suggested we do studies in blue in honor of the #lightitblue campaign. Just when I was needing some inspiration! These are the late afternoon tree shadows at the foot of my garden.
The Dark. How are other people finding time to draw with the schools closed and your four year old on top of you 24/7? There's a story by Lemony Snicket called The Dark. I really enjoyed making the closet shadow, so there you go. This actually started with my raincoat beckoning to me for many days.
Shadows follow but I will move on! I have PTSD, so I am tormented by my past. Anxious for what's behind me. But I won't let that stop me! I may have "Lead in my shoes" (Dutch "Lood in mijn schoenen"), sometimes feel empty while on other times I am red from anger, nothing will stop me moving on. There will be temporary throwbacks, progress is not linear, but I will get there. I won't drown in self-pity this time.
Hi guys! LOoong time no see. But, thanks to #inktober, I'm here :) My friend offered me to participate this year challenge with #witchyprops, which I find lovely, so here it is: The book of shadows!
The girl was probably around 25yo but my drawing made her face and body look older. The shadows are a bit rough too. Again, I placed the drawing a bit wrong and had to leave out the feet.
I reach the crossroad, look to the right, and then to the left. Couldn't tell which way to go, downtown had always got me confusing. I crossed the street, the light was red.
Finished this up. Not particularly a fan of Barcelona, but greatness is where it is. It’s funny, no matter how dark I make shadows and shading, I always feel I could have gone darker.
My tribute to my good friend who died earlier this year. Another white pastel on black paper. Not my favourite media but I love the effect of it. I need to practice more as I can't get my head around working on negative lol, erasing to get shadows and filling in to get highlights etc. I used a chunky white stick and a white pastel pencil but detail still eludes me lol. It's a technique I need to refine. It's the second picture of a dead person I've put on, apart from humph, so I'm a cheery little soul aren't I lol? Thanks for looking
Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
