The Shadow, in a more recent form. This was made as a concept that complements the ego. No other drawing was done except this sketch, but the character is fully fleshed out and complex.
What my shadow might appear to be, in the simplest way for others to comprehend... There is more that what it appears. This is done with colour pencils and some photo editing.
It has been a while, and even a shadow evolves. However, Yu is still as clingy as always as a ball of seemingly limitless energy. New eye designs to better fit the original Avali vibes, a little more vibrant on the feather-do, and maybe a little update in the suit too. Yu loves it.
Hi. Am I hard to see? You are free to look closer.
This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity.
Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.
Acrylic on river rock. Believe it or not, except for the sun, I only painted over lines that were naturally in the rock...you can even faintly see the outline of another saguaro to the right of the shadowed one!
Charcoal and graphite. I drew this while standing in the woods for over an hour. The light kept changing as the sun was going down. Fortunately, I was able to capture some dramatic shadows!
The girl was probably around 25yo but my drawing made her face and body look older. The shadows are a bit rough too. Again, I placed the drawing a bit wrong and had to leave out the feet.
Been developing in a way to free myself from external reference-based OC concepts, which was where I started from in drawing. In a way, exploring how I view characters from my own eyes. Here, is an example of drawing myself in two contrasting counterparts. Personal preferences are actually pretty simplistic by appearance.
Hi guys! LOoong time no see. But, thanks to #inktober, I'm here :) My friend offered me to participate this year challenge with #witchyprops, which I find lovely, so here it is: The book of shadows!
Nael, knight and spy master for the Moon Court. A Shadar Kai and once a prince of shadows, he has been expelled from the Raven Queen’s court and his heart returned to him as punishment for almost killing the new Queen of Magic. Such a drama llama
Here on this acrylic/ink on canvas piece, you can see a Loupee realizing that it truly, in fact, is very ugly. Actually so ugly, that it began to melt its surrounding reality causing its shadow to lose its true vibrancy. All it wanted was to see was its pupils. No one can relate to this situation any better than you can.
A captivating original painting by Ty Patmore depicting a dandelion seed head bowing under its own weight. The Seed Crown uses powerful shadow work to give this common sight a monumental presence, reminding the viewer of the beauty found in nature's final, quiet moments.
The Dark. How are other people finding time to draw with the schools closed and your four year old on top of you 24/7? There's a story by Lemony Snicket called The Dark. I really enjoyed making the closet shadow, so there you go. This actually started with my raincoat beckoning to me for many days.
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
To help pass time and keep my creativity at the front of my brain, I keep a half sheet handy and challenge myself to fill the page with lines, shapes and shadows before the shift is over. Never a theme planned I let the pen take me on its own adventure. I’m just a passenger.
#Golgaaryol
Injured into symbols
The wounded Shadow
The ink flows and carries nonverbal oddities
[April, 2023]
Danielle East - Broken Butterfly
https://youtu.be/4WiMDebAnzo?si=k2yO1ALrmwyysOt4
I wanted a picture of a sad dragon - finally I turned ordinary doodles [from 2023] with brushes into something like this, blur and softening effects were also added.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
Some shoulder studies using a statue by Borromini. The muscles on this guy were bizarre and somehow still anatomically correct. Medium: Charcoal on Newsprint Time: 30 min x 3
