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Here's the sketch for my Draw Your Fear submission. Drawn with a Pilot Custom Urushi fountain pen using deAtramentis Document Ink Black. Check out https://www.doodleaddicts.com/drawing-challenges/draw-your-fear/ tomorrow to see it in full color!

Commission portrait drawn in black and white line using fine liners.

The creative demon possessing me at the time must’ve either been Mark E. Smith or Radiohead’s ‘Hail To The Thief’ shaped, judging by the lyrics of this one..

"Flying in the sky with a lady in its arms, The Platform's heading fast out to the farm. She was harmed unknowingly and now she will become a seed, From which the platforms now will feed until they breed." -- Drawn with fountain pens, colored with my iPad using Procreate.

"Jungle Cat" Drawn with a Pilot Falcon SEF using Platinum Carbon Ink and painted with Holbein watercolors.

Flying Robot in the Sky, watercolor. I used my new Holbein paints. (I love them.) Drawn with a Pilot Falcon SEF using Platinum Carbon Black. A trifecta of Japanese paint, pen, and ink.

15 minutes doodle on a non woven bag using acrylic white marker

Ghosts, Ghosts and More Ghosts. Drawn with a Pilot Custom 743 M using Noodlers 41 Brown ink. Watercolor coming next.

Allover fish pattern using some old and new ocean themed drawings.

Passing time while on the plane.

Aquella noche, al sentarse a la mesa ante la mirada de sus padres, Romualdito se sentía anonadado. Su padre le había dicho muchas veces que un pajarito verde le contaba al oído todo lo que él hacía. Era, pues, indudable que el pajarito verde le había contado su delito. Sin embargo Romualdito tomó su sopa, con las narices metidas en el plato, sin que ocurriera novedad alguna. Sus padres, como siempre, hablaban de cosas incomprensibles… Llegó el segundo plato, y lo mismo. Su madre le preguntó con indiferencia: -¿Te pasa algo Romualdito? Romualdito levantó los ojos y dijo con aplomo -No me pasa nada, mamá. No bien dijo esto tembló pensando lo que iba a ocurrir. ¡Había dicho que no pasaba nada, y había fumado! La mirada de su padre, que según este afirmaba, leía en el interior de su hijo, iba a descubrir su mentira. El fraile que se lleva a los niños iba a aparecer y lo iban a encerrar en el cuarto de las ratas. Aguardó un instante angustioso. Nada. El silencio, turbado por el chocar de los platos y los tenedores… Al llegar el tercer plato, don Rotulado dio un golpe en la mesa. Romualdito se estremeció. Pero era que don Romualdo opinaba que la salsa del pescado tenía poco perejil… Así, poco a poco, Romualdito fue serenándose y adquiriendo confianza sí mismo. Al llegar a los postres, miraba ya a sus padres frente a frente y sonreía. La comida había transcurrido con la cotidiana vulgaridad. No cabía duda: El mozo de cuadra tenía razón. Aquella distinción de “detrás” y de “delante” era toda una ciencia maravillosa, quizá toda la ciencita de la vida, y Romualdito, con la mirada lejana y sonriente, descubría horizontes nuevos e insospechados. Cuando terminó según el precepto de su buena educación, Romualdito se levantó, dio un beso a su padre y a su madre. Dijo ”Buenas noches”, en inglés, y se marchó. Don Romualdo exclamó con ternura viéndole irse: -¡Es un ángel! Y apuró con satisfacción su taza de café… _ La severa educación de Romualdito - Jose María Peman

Lords of War - otep With confidence in our armed forces, with the unbounding determination of our people, we will gain the inevitable triumph. So help us, God More wars on foreign shores More names for us to mourn To misguide the misinformed To ignore the sick and poor Thus, we praise the lords of war On our knees and beg for more A fresh poison for the weak Filthy little beasts Bred to conform It's the dwarfed souls of greedy men Feculent, arrogant That shackles our young to the cold concrete And empty their guns into bodies They scream "I'm not guilty" They scream "I'm not guilty" But cowards here are only what they fear Shoot until the threat stops I'd rather be in battle than at peace I'd rather be a wolf than a sheep I'd rather be in battle than slaughtered like cattle The weak can sleep while You were born to be led That's what religion says With a bifurcated tongue America eats its young Bullet-toothed, empty gods Paralyze the minds and contest the thoughts With devils everywhere Bombs bursting in the air Drones flown over thrones Of bone and brimstone Sabers rattle in the homes Of the cowards and the crones As they shackle our young Blood stains the streets Pigs empty their guns in their bodies Bow down to the lords of war On your knees for the lords of war Bow down to the lords of war On your knees for the lords of war We rise in defiance We won't remain silent To triumph over tyrants And police violence Shoot until the threat stop We're not guilty Help us God The lords of war On your knees for the lords of war Bow down to the lords of war What is so terrible about a child screaming? Why should it disturb us? Just because we happen to be there to hear it? What about the child who comes from an inadequate home, where he gets no encouragement from his parents Where he doesn't have enough to wear, he doesn't have enough to eat, he comes to school hungry... This beautiful, breathtaking #embracingnightmares

Well friends just got done creating my new logo to represent my ministry. The design incorporates symbols that represent both writing poetry, commentaries, short humorous stories. This is represented by the quill pen. My fine art, commercial art represented by the painter's palette, and illustrative tools. The colors running to the center of the palette to from the cross, represent my Christian ministry. Going to FedExs to have business cards made. Planning to use this logo for my art fair booth

Fanny was sitting on the fence singing the great rain song. Sculptor's daughter by Tove Jansson. #sculptorsdaughter #toveJansson #dailydrawing

*PS photo 1 finished is is better is better then photo 2 is inked ver.* *ps my og inked sketch is lost media so i used finished to photo edit on Google photos an inked since my cam roll rsndomly deleted it...

This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling. Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.

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It has been a while since I last felt that I had a good day. Got myself together to draw, and the first thing that came into mind was to continue this character design project. Tried a mix between shades of grey, pale blue, with a tint of purple. Overall, the practice in drawing bird anatomy is slowly getting there. But yea... This is not a Blue Jay... I might have went a little too blue.

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

So yeah, I will color this image and add a word bubble. But um, this was my honest reaction to season two of Hazbin. Soooo, I will continue the roller coaster ride, but my ears will burn from the singing and my eyes will be scratched out due to the content in which I am forcing them to focus on. I might even go see a therapist and question all my life choices.

Did a sketch of my hand using my drawing hand as reference. During a 20 minute sketch session.

A colorful illustration showcasing a slice of pumpkin pie topped with tiny pumpkins. The pie is placed on a vibrant blue plate with swirling patterns.

This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening. * Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth. * Symbolism: * The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world. * The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.

"A wyvern whose only desire is to be loved, despite a frighteningly monstrous nature and bleak origin. A master of encouragement, childlike mischief, wing hug offers, and bypassing the laws of reality in outrageous fashions."

Up on a hill, deep in Deadwood Lies an old shack, that fosters no good Inside this shack floats a very old being To seek it out, is to regret such a meeting A blue floating skull, who brings sweet promises of doom Sits all alone in a dark four corner room Why is the reason, this being is there Why does it beckon one to come near Its lonely and bored So it calls out to you The skull was once mighty and powerful too Causing great pain on subjects like you The beast of an age Caught by a mage imprisoned in here no longer to torment the world and spread fear But just being caught wasn’t enough It stifled its power but its will, was left uncorrupt The skull, now a seeker of dreams Destroyer of love, life, and of schemes #embracingnightmares

"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.

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