A drawing that turned out better than I expected. Two hour seated pose.
Pencil, Charcoal Pencil, Pastel Pencils on some weird pad of paper I found in my closet.
One of my favorite pieces I did for Inktober a couple of years ago. The prompt was juicy. I went with an NBC Hannibal aesthetic. You would not believe how much fun I had coloring those pomegranates.
Artwork on "the other side" - playing with the bleed-through from the watercolor and intuitiviely allowing the shapes to arise. Created using watercolor, coffee, ink, graphic pens and unipen
Watercolour crayon, crayon, fineliner and acrylic paint... . . . . . .. ... . ... .. ... . .. ... .. ............ . ... . . The tree is weary crying for some help, its roots are drowning and the taps on full pelt. Its head cant speak the evil, hear the evil, see it. Whilst its occupiers point the fingers at each other and dont even believe it... .. ... . .... . .. .
I had a wonderful time creating this commision for a Kansas City Personalities wall mural installed in a downtown KC apartment building. The wall measures roughly 12’ x 20’. These were all hand drawn graphite and charcoal drawings that I scanned into my mac and delivered digitally. The file was then enlarged and applied to the wall surface.
This is part of an ongoing series. This time we pass through The Great Exhibition and meet the different characters there to view art or just to socialise and hang out.
Currently exploring image making with fountain pens: immediate mark making, no pencil, no eraser. I'm enjoying the discovery process and embracing the stray mark made with semi-blind contour and continuous line drawings.
