I wanted to try and do a digital piece of a ferret and incorporate winter clothes while using a limited palette I found on Adobe Draw. This was a lot of fun!
Watercolor sketch for an acrylic painting I’m about to start. I messed some of the elements up but it’s so nice to have some kind of expectation as to what I want it to look like instead of painting blindly.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
This is Lianhua. She is from the Tang Dynasty in the Year 700 Ad. She is wearing a type of hanfu (traditional Chinese dress) called a Qixiong Ruqun. If anyone knows more on Hanfu and Chinese historical fashion, let me know if I I got the the time period right or if the styles are from different time periods. I did alot of research, but I still have alot to learn. Created with Kuretake Gansai Tambi Watercolors.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
A movement study of legs using a male model. 20 minute initial sketch, five minutes for each following, and a final 15 minute sketch. Time: 1hr Medium: Procreate on Ipad
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
This drawing was made in a black paper, that at first, I had no idea what to draw. So I took some colored pencils that I like, and started to randomly stroke the paper. Then I realised that it looked like a galaxy, so I added a few stars, the Saturn planet, and afterwards, Wall·E and Eva.
