Very random mind drifting, in a surprisingly good mood today. No matter how much has changed, this figure never dissappears. It continues to be something outside my drawing abilities, appearing as a highly abstract entity.
I'm planning on writing and illustrating a superhero comic soon. So I'm practicing dynamic poses, foreshortening, all the stuff. Need to get better at bullets though. Yes, that is a pom-pom. It's the only hat she had.
These are some OCs that Ive been working on for a while. Long story short, Maria is Zoey's widowed mother, and Zoey has cancer. Maria is struggling to keep the two of them afloat financially , especially because their health insurance sucks. Hoping to create a story that tugs the heartstrings!
Keith has been known to lead travellers astray in the swamp if they don't supply him with the correct number of Jammy Dodgers. The correct number is three.
As awesome as summer and winter are, I love the transitional seasons the best, especially fall. It's the best time to do sports, orienteering, bird watching, hikes. The crisp air feels so good, and I love the rustle of the dead leaves and grasses on a windy day. While sometimes I get sad to see the branches bare, I also love looking at and analyzing their structure. I find it fascinating that a tree can go from this mighty, fluttering thing to a spindly, knobby structure and remain fundamentally unchanged. It's a bit of a miracle
David Lynch (1946-2025)
I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “
- From Daily Rituals: How Artists Work by Mason Currey
“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
― David Lynch
Thank you for all your amazing art!
#dailyrituals #inktober #DavidLynch #goals @masoncurrey
Just some art I drew of my friend’s awesome oc ^^! Also, just wanted to say a big thank you to all of my supporters—I know I’m not very consistent with posting and can be late to replying to you guys, but I really appreciate the constant encouragement and support nonetheless :D! Have a wonderful day!
Taking some inspiration from some things me and my girlfriend talked about regarding old highs in one’s past and asking yourself if revisiting them later on in life is worth it… the usual stuff I guess.
I remember how I just started making this piece with no guidelines no measurements.. nothing. Just me looking at the reference and goin blind in the feelings. I wanted to make this piece as alive as i could..I wanted to feel his presence near me.
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
2B pencil focusing on the eye, nose and mouth. The reflection today is a suggestion that we find what we look for, and we see what we want to see. Our family dinners include a sharing time of: 1. Who blessed you today? 2. Who did you bless today? and 3. What are you thankful for? It is suggested by some that if you focus on the abundance, you will not see so much of the lack, but if you focus on the lack, you will not be able to see the abundance so well. This was illustrated by the questions: "How many red cars did you see on the way to work this morning?" My answer was: "No Idea!" It is because I was not looking. If I was being given $100.00 for each red car I spotted, I would have certainly been looking, and maybe even getting creative with the definition of 'red'. What are you looking for? What are you finding?
Hola a todos y feliz año nuevo 2025, ya casi es hora de decirle adios a el 2024 y decirle ho,a al que viene. Me encanta hacer mis resumenes artísticos del 2024 y feliz para todos.
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Hello everyone and happy new year 2025, it's almost time to say goodbye to 2024 and say hello to the one coming. I love making my artistic summaries of 2024 and happy to everyone.
I absolutely love colored pencils. The smell, sound, and feel of them, their texture is amazing. Shading and depth control are so easy with them. :) Lucy looks pretty worried. Don't worry, Lucy. I'm sure it will turn out fine.
I'm in immense emotional inconsistency and I miss this person so much. -I remember painting this in the month of October... around sunset, at the terrace with cheap acrylics and 1 paint brush on a foamy material that comes with jeans or cloths.. I made this in appreciation of a person i love..
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
"Monochrome Serenity: Candles, Blooms, and Foliage" is an exquisite black and white charcoal artwork that captures the tranquil essence of its subjects. The subtle interplay of shadows and highlights accentuates the delicate beauty of flickering candles, graceful flowers, and lush plant life. This piece evokes a sense of calm and harmony, allowing the viewer to find peace in its serene simplicity.
