sum

I have quite a bit of traveling planned this Summer...from NYC to Copenhagen to Venice to Berlin and a few more spots. Very much looking forward to all the different colors, cities, and cultures in the coming weeks.

Summertime. Who doesn’t love crabs?

Gouache on Arches watercolor paper. I have been living overseas for 6 years now with my wife. (Originally from the states) We have lived in Seoul, South Korea, Ho Chi Minh City, Vietnam, Tel Aviv, Israel, and in the Summer we will move once again to Kuala Lumpur, Malaysia. So this is a painting is a sort of self-portrait.

Playing around with digital stained-glass effects, and thought it would be fun to portray tropical summer vibes in a medium where you don't usually find them. Shout out to Lisa Bardot at bardotbrush.com for the basic digital technique.

Fishy stuff going on with Bradshaw lately. Summertime must be getting close.

Part 3 of my China sketchbook from last summer.

I've been traveling all summer and had not been able to make any art. Here is my first painting in a while. A little bit of art therapy.

To many I know a hibiscus flower might represent endless tropical summers. Up north where I live, hibiscus is the often the last flower to bloom while fall is setting in. While vibrant, I wanted it to feel lonely as seasonal changes are very introspective times in my life.

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

A few of my favorite pages from my sketchbook documenting my trip to China in the summer of 2017. An amazing and life changing experience.

loving the bright winter sunshine but thinking about summer flowers.

This is the book I made which contains the educational paper I wrote and illustrated about my trip to China in the summer of 2017. I gave a lecture entitled, The Sketchbook: Let's Connect at ICON10, The Illustration Conference in Detroit, MI this past July. I gave a few of these books out along with pocket sketchbooks to the audience. Below are a few spreads from the 40-page book.

Nerded out at the Kennedy Space Center last summer. Here are a few of the sketches.

Spent some time camping this summer. A few of the sketches I made.

The second set of pages from my trip to China last summer. Spent time in Beijing and Hong Kong and hiking/camping out on a portion the Great Wall. Truly amazing.

I am amazed summer after summer seeing this tree and garden grow. I started this with a blue background and a black layer that I punched through, and from there, I painted layer by layer from the back to the front. I like the realism I got, but I kept to a painterly feel using oil brushes.

I wanted to capture an introspective feeling and show the Detroit River's expansiveness. I went with a late summer sunset vibe with lots of warm pinks and cool blues.

Poppies watercolor with sumi ink and paint markers.

This is a digital rendering of a drawing I have recreated several times. The original was a doodle done in high school and has since been done as a painting, a tattoo design, and now as digital art. My inspiration was 'A Midsummer Night's Dream', classic cartoons (Woody the Woodpecker), and pinup art styles.

To draw is to notice. To notice is to pause. And sometimes, all it takes is a barefoot boy in a camping chair, chasing the drips of a popsicle, to remind us what it means to be here. This is Popsiclence—a sacred kind of focus. It’s where observational drawing leads us: out of the swirl, into the now. And in that now, we heal.

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

It gets hot and muggy in the deep forest during summertime.

Being autistic and neurodivergent means I’m liable to mishear things quite a bit, especially when watching films where the sound mixing is utter shite (thanks sensory differences!). On that note, there’s a bit towards the end of Alien where Parker shouts “get out of the room” which I always interpreted as “get ready to roll” for years on end. Only recently did I realise how wrong I was! Considering it was the final act of the film, I guess I can’t be blamed for assuming as such, right? If you know, you know as they say...

Title: The Perfect Summer Night. Moleskine sketch.

Darkness resumed!

Normal service resumes! Not to worry, I’ll be back at it with the Pokemon again soon…