One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
Filling my belly with the remnants of the night prior’s takeaway (almost always on Sunday mornings) before the day job starts is fast becoming a ritual of mine’s lately, hence the name of this one. The joys, eh?
This is a pumpkin caving of the infamous Nautilus submarine, owned by the pirate captain Nemo . Who sunk ship that supported war, ramming them with his submarine. In this tale Nemo's ship gets attacked by a monstrous giant squid. I caved this design at the Chadds Ford Historical Society's Great Pumpkin Carve contest and event. This is a live carve event. Artist have no idea what kind of pumpkin they will be given to carve. No knowledge of shape, color, size, or condition. Competitors must create their design with manual hand tools. Cavers have 6 hours to create their master pieces, to be considered to qualify to be judged ,to compete for the prize . The size of the average pumpkin is from 200 to 400 pounds , and their wall are about 5 inched thick. It took me 6 hours to carve my pumpkin design. Stephen J. Vattimo 10/18/2021
Old drawing that I had contributed to a charity art book for Japanese tsunami relief efforts. Feel free to follow my facebook for additional updates! http://www.facebook.com/sonialaiart
Sunday afternoon sitting on the porch just doodling. I'd been drawing my neighborhood all day so I stopped and had a beer, and just started in on this.
I wanted to capture an introspective feeling and show the Detroit River's expansiveness. I went with a late summer sunset vibe with lots of warm pinks and cool blues.
(2B pencil on 147mm x 133mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
A colour study for a larger piece. Unfortunately with the larger piece, I screwed up with the thick over thin rule and consequently, the paint cracked after a few months. Frustrated at having to start it again, but lesson learnt.
One of my girls with lots of patterns. The girl keeps in blue and purple and the background and sunglasses is kept in green, orange end yellow tones. I have always had a hard time using less color and this is my practice in keeping a more stringent color theme.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
