symbol

The raven is an American symbol of rebirth and wisdom. Tryed to represent that in my sketchbook.

A portrait of everyday power. This hammer isn’t just a tool—it’s a symbol of the work ethic that built me, the late nights, the factory shifts, and the determination behind every canvas. Graphite, grit, and precision shading bring out every dent and edge. Simple object, serious presence.

Portrait of a girl with a third eye symbolising inner wisdom. Marker and ink drawing.

This piece was made 2 months into starting drawing. A symbolic surge of creativity and inspiration as the veil was broken down. This can be considered a personal milestone.

Journey presents a surrealist setting where a man is rowing his boat through a wondrous landscape, surrounded by buildings and stones with strange symbols and runes. A bright heavenly light illuminates the traveller's origin while a stark contrast is made with the vibrant blue light, from behind the walls, of this mysterious sunken building. This artwork is for sale on inkywinky.com.au

This poignant black and white pencil and ink drawing captures the essence of a dark, broken man with sand slipping through his fingers, symbolizing the passage of time and lost hopes. A hole in his chest reveals his heart, while beside him stands a similarly broken woman. In the foreground, withered flowers and a shattered hourglass accentuate the theme of decay and loss. The background features a forgotten playground, representing the loss of innocence, and a swirling vortex with lightning in the sky that engulfs the man's illusion of reality. This artwork speaks to the emotional turmoil and fragility of the human experience.

A small watercolour painting honouring the Jacobite tradition. Imagery taken from the descriptions on this website: https://thehistoryjar.com/2018/03/07/jacobite-symbols-decoding-treachery-or-loyalty/

This painting started out as a pumpkin design for the Chads Ford, Pennsylvania, Historical Society’s Great Pumpkin Carve, which I have been participating in for the last eleven years. What inspired me to turn the design into a lasting painting was the message, made the design so relevant. It seems the message, which echoes louder and louder as each day passes; the force of heaven and hell are coming out of the dark and into the daylight. The dove in the painting has always been used in mankind’s history to represent hope, peace, and the symbol of the Holy Spirit. The sun in the Bible is called the greater light that governs the day. So, I used dove and the sun to represent the spiritual force of the heavenly kingdom that is seen and unseen in our world. The bat is known as a creature of the night, thought to be a foul creature that people fear. The moon in the Bible is called the lesser light, which was created to govern the night, to give light on to the earth at night. Nighttime is mentioned in the Bible as when men do their evil deeds. Before man invented methods to light the street and people’s homes, people limited their activity at night due to the absence of light. People with superstitious beliefs believe that demonic creature dwelt in the shadow and would attack them if they stepped out of the light. Another historical fact is that bandits would hide in the dark and rob night travelers. People also worked while it was daylight, then would party, get drunk, and sleep around at night. The Bible mentions that those who reject God’s Messiah do not come into the light because their deeds are evil, and they don’t want them to be exposed. So I chose to use the bat and the moon to symbolize the dark evil kingdom of the fallen angels. 168 The reason why the two creatures converge in the middle is because mankind is the centerpiece that both sides are contesting for. Man kind, in the beginning, was created as a holy creation. But just as Satan decided he was going to exalt himself above His Creator, he went to the rest of the angels to get them to join his army to dethrone God. When Satan and his army lost the battle for the heavenly kingdom, He turned his eyes to conquering the earthly realm by tempting mankind, who God had gifted the deed of the earth to. The devil possesses a snake to hold a conversation with man to deceive them into distrusting God and leading them to disobey the commandment from God not to eat from The Tree of the Knowledge of Good and Evil. This is how man became the middle battleground. God’s force is battling to restore mankind back to fellowship with God and regain their citizenship in God’s eternal kingdom. Satan and his army of fallen angels work on deceiving, afflicting, and destroying mankind in hope of taking as many as his army can drag to the eternal lake of fire, where God will throw everyone who has denounced Him as their God and king. (Sept 18, 2016) See Less

A long time ago In Egypt you would bury the person with some belongings you think they would benefit in their after life. A few interesting objects I chose were from a mobile, baked beans, kitkat, toothpaste, apples, gloves to a paintbrush and more. A fun artwork where egyptian hieroglyphic symbols were used.

Ink sketch of a teacup - symbol originally used in the first version of my Studioerin website in 2001.

This image illustrates a Chinese fairy-tale from the 6th Century. Girl Weaver neglects her heavenly duties to spend her life on earth with the Goat Herd, this invokes the wrath of her family who force them to live apart. They are brought together for one day a year when a flock of tender-hearted magpies form a bridge to reunite them. This legend is still celebrated in China on the 7th night of the 7th month with a summer festival full of symbolism for newly-wed couples.

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Ink on sketchbook paper subject: illustration for the national paper Size :11" x 14" Date: 10/20/2017 Artist: Stephen J. Vattimo This ink illustration was created for a pumpkin design for a carving contest. The hands grasped tightly in prayer. The national flag in tatters, representing all the trials and tribulation the nation is going through, The compass represents seeking direction. The who illustration making the statement, The need for a nation to look to God for direction, and healing of our land. God made a promise to the nation Of Israel, which I believe is offered to any nation. 2 Chronicles 7:14 and My people who are called by My name humble themselves and pray and seek My face and turn from their wicked ways, then I will hear from heaven, will forgive their sin and will heal their land. Written by Stephen J. Vattimo

I love the tradition and the symbol behind a milagro heart. As part of a religious ritual or an act of devotion, milagros can be offered to a symbol of a saint as a reminder of a petitioner's particular need, or in gratitude for a prayer answered.

Progression 5 of 5. Final Drawing. Overall, satisfied with how this came out. I should have done a better job of the hard lines, especially around the skin. Also, my vision for the background didn't come out quite as planned, but I didn't want it to draw the eye more than the main focus, so I left it lighter and vague. There were a lot of Nike symbols in this piece!

This sketchbook spread features a man whispering some Yin Yang song lyrics into a lady's ear. I drew them separately, then realized the guy was definitely hitting on her. I can't imagine that singing the lyrics from "Wait, The Whisper Song" have ever worked. But today might be the day. We also have a hairless cat and some very mysterious Illuminati symbolism. I like to stay busy.

A commissioned piece of original artwork for a client that I drew which incorporates various elements of strength (as chosen by the client). It also illustrates that even in dark times a light will come shining through.

This piece critiques the modern tendency to hide identity behind brands and consumerism. * Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze. * Symbolism: * The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed. * The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly "seeing" the individual, while simultaneously restricting the individual's full sight of the world.

This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

This striking black and white ink drawing personifies Time as a dark entity surrounded by flying souls. A half moon hovers between two hourglasses, symbolizing the passage of time, while smoke billows from two pit fires below. The scene is grounded by skulls and bones, emphasizing the theme of mortality. The artwork is elegantly framed in a gothic style, enhancing its surreal atmosphere and dark symbolism, inviting viewers to reflect on the inevitability of time and its impact on existence.

Water heals and purifies. It also kills and destroys. Few symbols encompass both the life-giving and death-dealing properties of water as the sacrament of baptism, which represents both the passing of the old self and their rebirth as a new creature (Romans 6:3-11). Here, the image of death & rebirth is also reinforced by a dragonfly motif; the dragonfly spends the first years of its life in the deep waters as a nymph, and is completely transformed into a new being as it rises to the surface. Unlike butterflies, a dragonfly undergoes several molting processes after its emergence, showing that, while the creature is already made new, it is not yet perfected, and must grow in its new identity through what is called progressive sanctification. The work's title refers to the Christian daimyo, Konishi Yukinaga, whose baptismal name is Augustine, and is the primary subject of this image.

Embark on a journey through the mesmerizing world of our colorful rainbow artwork doodle drawing. This captivating creation is a vibrant symphony of hues that come together in harmonious chaos. Every stroke of the pen is a burst of energy, every line a dance of colors that evoke emotions and spark imagination. From the rich reds that symbolize passion to the serene blues that whisper tranquility, each shade tells a story. This artwork is a celebration of diversity, a reminder that beauty thrives in differences. It's a reminder of the positivity that radiates when we embrace the spectrum of life. The meticulous detailing and intricate patterns invite you to explore every nook and cranny, discovering hidden gems with each gaze. Hang this masterpiece in your space, infuse your surroundings with its dynamic spirit. Let the vivid colors breathe life into your world, a testament to the joyful, vibrant, and kaleidoscopic nature of existence.

In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.

pencil on paper, 2021

The picture has a traditional south indian lamp with 'Rangolis' in the background. The lamp is lit for prayer, good health, hope and prosperity. The 'Rangolis' are beautiful patterns filled with colors which are drawn outside our homes. The pictures symbolizes hope, health and prosperity in our lives.

Something with many meanings. Symbolizing, starting from the bottom, birth, trials and learning, dark times then to enlightenment which is when someone gets to the end of their lessons of their life.

Inspired by the symbolism of the cherry blossom flower, which represents beauty and strength, as well as the expression, “Life, Death, and Renewal”, this piece completely embodies this expression, reflecting on the harmonious balance between human and nature. Each unique detail, from the soft elegance of the cherry blossoms, the chaotic nature of the setting, followed by the expression of complete calmness of her delicate features, helps portray the turmoils she once faced, and how she overcame her fears and saw her true beauty.

Original ink drawing on 140lb. watercolor paper, 12" x 18"