tan

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

A 3 format, mixed technique. "My dissatisfaction with my progress in magic is growing," I said to the wizard Cirilo Bum, "I want to quickly become a wizard and not stagnate in the place." "Every creature, so the wizards, have their own way, and always travel, even if they stand in place," the old wizard answered. Then make a quick gesture by hand, a piece of paper was created in his hand. Give me the paper and say: "This is your way, the way you will have to pass before you feel the pleasure of becoming a wizard. When you get to the green path, you've almost succeeded." This paper, the picture you are watching, was a weak attempt by Cirilo Bum - one in a row - to express his artistic side. - If there is a magic spell or magic process in the picture, it would be good - I mumbled sullenly - what is this drawing at all? - The drawing contains all the answers. You have to start thinking with your head, think a lot, if you want to become a wizard - sighs Chirilo Bum - You are on one of the yellow points. The picture shows two tracks, each you need to cross. Paper, namely drawing, is a world of magic and witchcraft. The world of witchcraft, then, touches on the real, material world. I was studying the picture for a while and all I've concluded is that the green trail is not connected to another path. "There is an error here, it is impossible to reach the green path," I said to the wizard. - The only one who learns and understands the material world in which he lives is advancing in every sense - answer me the wizard Čirilo Bum - if your ground is firmly under your feet, it is easier to climb the path of witchcraft. On the other hand, too long a stay in the world of magic may end up with a fall in the unknown. I nodded because I did not get the answer I needed, so I went to the forest. "Do not forget to clean the house, my boy," Cirilo Bum told me as I left. I was in the mind other things, the formulas I found in the old books of Cyrus Bum. (Speaking of these magical formulas will lead to the appearance of five giants (Mato Bumps, Bruno Biceps, Miro Mass, Karlo Stone, and Alayas Him) in the world of Fantasy.)

my new work! - Here he is, he comes! - Pepe Fajgl said, pointing at the top of the hill. The environment was typical for the territory of a mortician: valleys overgrown with low grass, and with some high ground. Pepe Fajgl and I left the corpse Henri de Functa at the foot of the hills and watched the Mortician as it approaches the dead body at a uniform speed, his beautiful eyes were fixed to the deceased. "It's wonderful," I said to Pepe, - it is certainly longer than 20 meters. - The Morticians are the beings that all the inhabitants of the World of Fantasies respect and love, since they have appeared, the precious earth is no longer polluting with graves and cemeteries, number of burning corpses and then a terrible smell almost came to zero, pollution of the lake and the sea throwing the dead into the water stopped. After Mrs. Death takes life and the soul went away in the wheel of the final verdict, it remains only material, dead, a bit valuable part once alive being, the meat that becomes a problem for family and community. Mortician comes to the dead body of the late Henri, its enormous mouth silently sucked corpse, he turned, and dignity went behind the elevation, the problem was solved forever. A 3 format

daily sketch

The Super Bloom is still going in SoCal! On the trail are poppies, daisies, alyssum and now the mustard grass is in bloom. My process was an iPhone photo, then a drawing with color and then collage in Photoshop.

This is a drawing of Rose Dawson. If you watched romance movies then you should know all about her from the movie “ Titanic” . Hope you guys like it

Inktense blocks. This is one of a whole series of portraits I've done of people's selfies with a galaxy background. My goal with the series is to show just how beautiful and powerful and Universal selfies are. Selfies are a valuable tool in self-love and self-acceptance. We take photos of all the things we love, but so often leave ourselves out. We all struggle to accept our own skins, and often give up, but as Carl Sagan said, "We are made of starstuff," and we are all worth photographing.

This is part of my daily Sketchgrind day 20. Study of chickens in the early morning.Spring is slowly arriving, I am thinking of the time we had mini chicks. So small and so fluffy.. I am missing my chickens!! Its like having a fish tank in your garden - so calming and funny to watch.

For the love of primary colors...

Daily drawing of the Joe Rogan Podcast guest, Brendan Schaub; podcast host, ex-mma fighter, stand-up comedian. Pencil drawing and colored in Procreate.

charcoal sketch of Immortan Joe from mad max movie.

Zentangle doodle

Love is in the Air!!!!! To all the couples, friends, families etc! I wish you an amazing Valentine's Day!!!!I desing this postcard for a local Backery in Colombia as part of an great collaboration @Catan1804

Two horse superiority

Pen and ink Iris

Pen and ink Rose

Digitally made pattern

Fearful, in discomfort, rapid decaying manner, various creatures may go through such waves in life. To experience, to walk through and try to understand others, to help them. Humans are always in some sort of stress. The world is a very interesting place.

And we're back to class. It's amazing how a couple of weeks can get you out of shape for gestures. Medium: Vine charcoal on newsprint. Time: 7 x 2 minutes.

Dark oceanic blunder focus distance and disturbance fully. Bleeding creature in tears of this manifestation growing. Horrendous branches consume while last thoughts falter, compose this ending formation.

To become selfish in manners that depict a lack of understanding, a horrid brooding fire contact fractured arms completely. Harm composed by the ashes that follow. A tundra voyage in need.

Just the first thing I drew this year. Already started altering it but this is a photo of the original drawing.

Broken heart looking for answers for these sorrows and ravaging wounds. Fear, enclosed but in hope of a guiding reality further. Distance of a lad emerges.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

This is Lianhua. She is from the Tang Dynasty in the Year 700 Ad. She is wearing a type of hanfu (traditional Chinese dress) called a Qixiong Ruqun. If anyone knows more on Hanfu and Chinese historical fashion, let me know if I I got the the time period right or if the styles are from different time periods. I did alot of research, but I still have alot to learn. Created with Kuretake Gansai Tambi Watercolors.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.