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tan

Kristyn Kristyn
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Frozen in Time

Inktober Day 4️⃣ FREEZE

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Guillaume van Rixtel Guillaume van Rixtel
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Cute Redhead 1

Cute tanned redhead leaning on a chair

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Aditi Aditi
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Nature

Inspired by nature , beautiful colours of flowers etc

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Laurine de Sélys Laurine de Sélys
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I am All-maudra !

I was like a child when watching the "Dark Crystal age of resistance" show. So mesmerizing. I had to draw right after finishing all the episodes. Seladon's a queen ! [4 September 2019]

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Bill Crabb Bill Crabb
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Star Trek Sketch card Featuring Harry Mudd

Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com

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Bill Crabb Bill Crabb
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Star Trek Sketch card Featuring Spock and Bones

Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. See more at Sketchcardsandcovers.com

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Junkyard Sam Junkyard Sam Plus Member
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Rabbits!
1/2

"Say hello to these rabbits & they'll say hello right back, Just don't offer them carrot flavored jello as a snack. 'Cause it's more than they can stand, and they're likely to attack, And when a rabbit bites your hand then you'll have to bite it back!"

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ROBIN ROBIN
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Muscle car

It is about a Mustang Lover. Basically it may feel like a joke but, it's not a Mustang. It comes under Muscle car category

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Kimmo Oja Kimmo Oja Plus Member
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Dandelions and swallows sketch

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Edmond Elodie Edmond Elodie
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Monstera deliciosa

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Mariana Musa Mariana Musa
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Odd Botanicals 2

Odd Botanicals 2

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Mariana Musa Mariana Musa
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Odd Botanicals 1

Odd Botanicals 1

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Mariana Musa Mariana Musa
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Inky Fuschias

Inky Fuschias - ink and watercolour

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Mariana Musa Mariana Musa
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Inky HIbiscus

Inky HIbiscus - ink and watercolour

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Mariana Musa Mariana Musa
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Inky Rose

Inky Rose - ink and watercolour

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Monica Ortega Monica Ortega
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Historia de una flor

(...) En ese preciso momento, en el que soltaba aire y respiraba de nuevo, sus ojos fijaron la mirada de repente en un punto. Un pequeño punto de su universo que había cambiado de color. Se acercó al objeto de su curiosidad y se encontró con una pequeña flor. Una flor que no había visto nunca antes. Con un color raro que no conocía. No era del azul del cielo ni del blanco de las estrellas ni del verde que tanto conocía de las copas de los arboles. Era de un color entre el suelo y el cielo. Un morado vivo que rompía con todo lo que se encontraba a su alrededor. Una flor que hizo que todos los otros colores se volvieran pequeños en un instante a la vista de Zaya. No se atrevió a tocarla, por miedo a hacerle daño, o a que se rompiese (...)

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Michael Mayberry Michael Mayberry
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Stanley

Quick sketch of a coworker

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Andrea Andrea
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Mustang

My favorite car! I just love it!

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Junkyard Sam Junkyard Sam Plus Member
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Robot Flower Man Sketch

Robot doodle with another favorite pen: Sailor 1911s EF, Royal Tangerine. Pilot Black ink on 4x6 note card.

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Erica Joy Erica Joy
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Tasty

I don't understand but for some reason all my pictures have been going in sideways...

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Old bone story and artwork Old bone story and artwork
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Puppet Zvonko, creative pain artist, a source of wisdom, funny picture, short story

A 3 format We love when Puppet amused! We always learn from The Greatest! Warning! The following text is intended for fans of Puppet Zvonko! People with poor cognitive abilities may remain confused. We Puppetapostles, we keep track of what our Lord Puppet is doing, we study each of his movements, each his word is recorded and subjected to philosophical analysis. And always, again, over and over again, our conviction is strengthened every time: He is the God of eternal wisdom and the correct procedures! It is known that Puppet Zvonko - for their own entertainment - whips, branded and cuts people with a razor, often with mortal consequences. We gladly approve of it, it is reasonable to Overpower must feel comfortable and have fun, with us, miserable microbes. We are happy that we are honored with its perfect presence. For the last month, we noticed that his Torture Trinity (razor, whip, stamp) was exclusively used by one unbeliever, just a blow - two, and then Puppet goes away. Instead of showing happiness which the Puppet is experiencing him at all, touching his pagan body with sacred objects, the unbeliever tries to hide, of course, in vain. We Puppetapostles, we also know that most of the inhabitants of the Magic Valley, to say the least, does not approve Puppet Zvonko proceedings (here we mention that those miserable ones, blind with healthy eyes, The Puppet is called a monster, concentration of evil and other totally wrong names). The Puppetapostles remain in their firm claim: Puppet Zvonko sends his sacred, allegorical messages to the inhabitants of the Magic Valley by his actions - and other beings - who are sufficiently mature to accept the truth, final knowledge, the purpose of life. Now comes the time when we need to understand why Puppet bothering just one unbeliever for a month! Have we developed enough cognitive power or we are just miserable microbes - how does Puppet claim?

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Valériane Duvivier Valériane Duvivier
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Tanuki

In my grand quest for a easy to draw and color new style but I have no time to sketch for this, I present you: Inktober 2018's tanuki! fav.me/dcp5uhz Behold. I'm still a fan of his tiny stick like paw under the belly XD --- Dans ma grande recherche de style facile et rapide à dessiner que j’ai pas le temps de faire un nouveau croquis pour ça, je vous apporte: Le tanuki d’inktober 2018. Tadam. Je suis toujours aussi fanne de ses papattes toutes maigres par rapport au reste XD

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Yurick Yurick
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Kitten-Ken (Well, you understand)

Follow the link. Click ADD TO CART. And get this bright designer. Thank you for your purchase, as well as for your interest in my work! https://www.rageon.com/products/kitten-ken-well-you-understand?aff=PVgT

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Laurine de Sélys Laurine de Sélys
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Alone with the shadows

She wanders among the shadows. Something touches her ankle. Is it a siren she hears in the distance through the mist?

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Erica Joy Erica Joy
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Mouth Watering

Produce Girl "Mouth Watering " 6"×8" watercolor, marker and ink on Strathmore Toned Tan

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Tides SeaWielder Tides SeaWielder
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Heroes of the Storm - Singularity

This is a singularity as seen in Heroes of the Storm. They are powerful crystals which, upon gaining one, instantly make you the Realm Lord over one of the locations in the Nexus. The particular one I drew is based off of the one the Raven Lord has claim to.

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Liz Lanspery Liz Lanspery
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Yellow/Purple

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Aditi Aditi
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JAMMED

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