I think for a lot of us, the pandemic has redefined what the definition of “staying at home” means. It has been a struggle navigating the new definition of “home” and the space that “home” occupies in our lives.
DoodleSchmoodlez 29th Nov. = I love going thru old sketch pads 'n splash watercolor on 'em. Reminds me of e like the last 15 mins of my youngest daughter's swimming lessons - the kidz'd just chill out... think it's sooo important to have fun when learning / cre8ing.
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Hi Friends,
We are the developers of Inked, an indie game that's schedule to launch on mobile phones in 2021. We put our hearts and souls into the game, especially in its graphics, so we want to hear about your thoughts on them. Please feel free to look around and let us know what you think! Thank you! If you are interested, please help us by following us on Facebook and Twitter! Thank you so much for your support! Facebook: www.facebook.com/inkedgame/ Twitter: twitter.com/inkedgame
Joey Diaz is a Cuban-American comedian who was on the Joe Rogan Podcast (for the 1000th time). Shown here smoking a blunt that created a cloud in the podcast studio. Always a fun face to draw.
Another "Sick Day Scarecrow" I did recently getting over a cold. There's too much comic stuff to get into to explain this, but in summary its a parallel universe Scarecrow I decided to design who is more of a superhero. Kinda.
Sometimes wisdom comes in a joke,
and sometimes laughter carries truth.
Brian spoke like a sage,
Mike answered like a friend,
and together they held the room.
We draw to remember.
Not only the lines of faces,
but the presence of goodness,
the gift of voices that echo
long after the chairs are empty.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
