Three trunks rising from one root, steady and separate yet belonging. The little bush at their base reminds me that life gathers in layers—quiet companions at the feet of giants. A simple contour line holds it all, the way a moment holds both strength and tenderness.
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
Jury Duty, June 2013
Fifty of us sat in that room, each one staring at a phone or scribbling in a notebook, killing time. The lawyers asked their questions, picking us off one by one like a slow game of dodgeball. I wasn’t chosen, so I drew instead—earbuds, slouched shoulders, the hum of waiting caught in a few quick lines.
"You think your car's cool? Well mine is better than yours.
My car is so fly it doesn't even have doors.
You can't show ME up - the girlies know what's up,
When they see me roll up in my Speedy Teacup."
"When the teachers asked me to play something, I would pretend that I was reading it and play from memory. I didn't fool them, but I didn't care."
- Vangelis (1943 - 2022).
At this point in time this was a damn good drawing of one of my hapless algebra teachers. I actually remember doing it in class since paying attention never mattered much for me anyway. Good guy.
Original Pen & Ink Cartoon Drawing of a Mouse in a Tea Cup by Ivan Camilli.
Pen and ink drawing of a little mouse cartoon character inside a tea cup on Canson's acid free illustration board.
signed ad dated '31August - 2019' Suitable for framing.
I have been participating in Lauren Hom’s #HOMwork challenges via Instagram. This weeks challenge was to draw the same letter 16 ways. I drew cats instead. I may come back to the whole lettering thing at some point!
This was a bird study for a painting. The customer loved it so much that they wanted the drawing instead. That suits me fine. In the end it is what the customer wants that really counts.
Congrats to anyone else who took part in inktober this year! I focused on combining witches inspired by different types of teas and I had so much fun! I’m conquering my irrational fear of side profiles and I think it’s working, I’ve been really liking side profiles lately and finding them easier to do. I experimented on this piece with adding freckles (they’re a feature in all of my inktober sketches but I haven’t liked how freckles have looked when I’ve dotted them in with a pen or brush) and uh, I guess it was kind of a success? Next time I’ll use my lighter shading colour for them, as I used the ink I use for my lines and it turned out really dark and concentrated, but I think they’re cute! (and I have ink sprays everywhere)
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
A breakdown of the Bic4 pen and No-name 10 colour pen layering that I’ve used.
Drawing in a single direction instead of using back-and-forth movement alleviates some of the blotching that happens when using ballpoint pens. The back-and-forth method usually deposits the gunk that builds up on the tip of the ballpoint, smearing them in unexpected and unfortunate places on the drawing. When using the back-and-forth method, I usually have a napkin handy in order to clean the tip of the pen. Model: Meadhbh (Maeve)
