Another attempt to work on more dynamic posing, I did a series of sketches pushing the pose into something outlandish and a tad pin-uppy for my unnamed Houdini knockoff escape artist. I used a different framework technique than usual to help me along, but I'm noticing now a few errors in the final sketch as per usual :)
Oh how I miss using watercolour again! Been awhile since the last time I used this medium because now I draw with digital technique more often than the traditional ones.
Mostly wet on wet technique and then wet on dry for the white paint. I used a Mont Marte Round 2 brush and Reeves watercolor paint tubes.
Also concocted my very own magic watercolor paint that made the black background somewhat similar to gouache.
I learned this painting from one of the best artists named Maria Raczynska.
I uploaded a version of this that I felt was kind of a throwaway. Just dinking around and trying to get a feel for techniques. In the end, while I was happy with what I learned, I didn't think much of it as far as a completed work goes. But I couldn't leave it alone so I took about another hour and fixed what I felt could be fixed short of starting from scratch. Because it's a process, right?
I'm rather pleased with this one. Did you know that banner bearers are actually super important? In ancient battles, they stood at the front lines and used various signals to communicate the general's orders to the troops. There was an important battle between the Greeks and Persians in 480 BC. called the battle of Thermopylae. The Greeks were outrageously outnumbered. However, when a banner bearer accidentally dropped their banner, the other bearers thought it was the signal to retreat, and dropped their banners as well. The entire Persian army was routed by the significantly smaller Greek force. So technically this lady is much more important and powerful than any flashy warrior could be.
A stylized architectural illustration capturing the intricate beauty of a classic brick gateway and decorative ironwork. This design blends traditional sketching techniques with a modern, vibrant color palette, making it a perfect statement piece for those who appreciate urban history and fine masonry details.
I played with some different rendering techniques in my digital lineart/with some diagonal shading in the shadows in addition to my usual cell shading. I used the same colour as the hair /skin/ clothing in for my lineart on a 'multiply' layer then duplicated that layer and added a blur/reduced the opacity for its copy to soften the look of the lines.
Spent some time last week trying to work through a new digital painting/colouring technique . It needs some more work and I haven't decided if I like It yet or not. One of the images turned out blander but the original skin tone was very orange I did like the brush textures a lot better on the orange skin but the lighting feels better on the purple-toned image.
it is a tangle I made for my fake art class. I used a marker, tech pen, and pencil. took I hr and 7 minutes.it was very fun and relaxing.i felt more relaxed than before
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
This painting is a technique I enjoy mostly because I see figures in the ordinary and draw them out from what I see in abstract backgrounds I paint. In it you see a group of people enjoying time together. I used Acrylics on Aquaboard, a surface especially made for many layers of wet media.
It was the first time I tried using a Fabriano 200 gsm cold pressed watercolor paper. And I had learned different techniques in watercolors through the process of creating this painting. It was also fun painting the waves. Thank you, Maria Raczynska.
Albarracín, Spain. My first time trying an urban sketching. Although it's only from a reference photo, it's a good way to practice this art technique. Line art and watercolour wash on a watercolour sketchbook. I used a Sakura Micron Pigma 5.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
I needed to practice some techniques for some Star Wars prints, so I decided I was going to try to draw The Joker in a more modern tux. Don’t ask, it makes sense in my head. There are a bunch of anatomical errors in this, but it did its job so I'm not too worried about it.
I love to come up with these mindless but interesting hard surface shapes and technical stuff. It has a meditative effect on me like drawing mandalas ^^ Inspiration comes from Tsutomu Nihei again.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
