No, I can't get it out of my head, now my whole world is gone for dead. This song has been stuck in my head for a while now, kind of interesting. I apologize for the long ramble of reflection this will be, but here I go. It's been an interesting few weeks, ups and downs, odd mindsets, but here I am. I don't know, quarantine has shifted a lot of things for everyone, and I've noticed a lot of changes in myself. I jokingly say I'm becoming soft, but it's a bit true, in a good way. I'm thankful for so many people in my life, and I'm finally letting those people how much they mean to me. I know I've said this before, but gymnastics has really been getting me through, and I'm proud of all the progress I've been making recently. My coaches make my life better, they're just incredible people and I love them so much. Thank you to the person I had a whole long text conversation with tonight (you know who you are) and for always dealing with my chaotic self. And finally, I've started to accept who I am, and that's a nice feeling. There's still the dark parts, the static still consumes me from time to time, but tonight was a good night. Thank you for all the support from everyone (in and outside of this community!). I genuinely appreciate all of it
I drew a London Street Building, source from pinterest using the freehand sketch method. The story behind this sketch is that I drew it with a hesitation feeling, you can feel it when you see how my lines were drawn to create the brick texture.
In this captivating cross-hatched pencil shading, a tranquil village scene comes to life. The intricate strokes create a harmonious blend of light and shadow, showcasing the serene beauty of rural life. Thatched roofs, winding pathways, and towering trees are meticulously detailed, inviting viewers to step into the peaceful simplicity of village existence. The gentle interplay of shades and textures evokes a sense of nostalgia and calm, capturing the essence of a timeless village story.
I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
A vibrant, hand-rendered standing strawberry illustration featuring rich textures and expressive marker strokes. This piece captures the organic beauty of summer fruit through a modern, illustrative lens.
Prismacolor colored pencil drawing of stylized begonias. This was fun, especially making the leaves have a satin texture. I printed this on card stock as a blank card to give to friends.
A bonsai tree sits in a black pot against a bright yellow circular background with humorous text surrounding it. The words "Why aren't they called... Bonsai People?" suggest a playful twist on the terms little person, person with dwarfism or person of short stature.
This was my first digital portrait for a book cover I did for my brother. you can see the book cover image here https://www.amazon.com/Gus-Graham-Arizona-Sheriff-Winkies-ebook/dp/B071H3S5NW/ref=sr_1_1?crid=2FT2WWGZ0IG1M&keywords=winkies+escape&qid=1641839447&s=digital-text&sprefix=winkies+escape%2Cdigital-text%2C65&sr=1-1
This sketchbook is all about triangle patterns! Each page starts with a base layer of connecting triangles. From there, I fill in different patterns on each page, challenging myself to come up with new ideas for each page.
