I realised how a lot of my human work was not very diversified. So I decided to practice drawing my OC S4V4N7 in their human form. I believe that they would definitely be a POC. S4V4N7 as an African-American Male.
literally, this image is crooked! sorry!!! fixing it made it look stranger, don't ask me how.. hehe. just some still life stuff with sennelier oil pastels. fuits, weird onion case and ink and cigs, and a picture of someone with a flower in their lap
A little doodle I made in class. Zentangles aren't really my thing, but I've been doodling a lot with a pen, and I love the way it looks. It's supposed to be some sort of stick-monster.
This a self portrait drawing of myself as a younger man, with a lot of shadow play on the portrait itself and a stylized background of a sky, clouds and the sun, rendered in a kind of an imaginary dream-like almost surreal scenario. Many thanks for looking.
The drawing contrasts what an individual see's and what the general public see's when viewing a particular topic. outside the frame of the glasses everything is plain black and white and has no important information that grabs your attention but inside the frame of the persons glasses there's a personalized idea or version of each person in the corridor. the drawing gives off the idea of seeing the world through another's eyes and using glasses as the medium to display that.
"There's a North in us all, but my North can't hold me anymore." Oh man, what a day/week/month it's been. Today was the end of first semester, a bit hard to believe half the year is gone, a bit hard to believe we still have half of a year left. The past 24 hours have been nothing less than mental chaos (maybe my coach was foreshadowing all of this when he asked if I was ok last night...) Anyway, here I am, here we are. Llemette on the left (name credit to Josefina), February journal on the right.
It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
This is Yoki, from Dweller's Empty Path. She's someone who works for the Crown and helps calming down BEAST-Types. No other one possesses this power though, what makes people suspect she might be a BEAST-Type herself.
I painted this as a commentary on Christ's response to disability in John 9. He states that the blind man was not born blind because he sinned, but so that the works of God would be revealed in him. This was so cathartic to paint.
