Like smoke, the line finishes as soon as it began. There is no room for any colour shapes, or anything else to be done to it; any additions would disturb the coherent of the flow. Contrast, balance and flow all met there. Art simply surfaced at that very moment and left a trace. This very line represents 3 decades of work!
Face to face, eye to eye, this pair of lovers is sharing their moment, despite any other figures which comes and goes. Now, all rests in the back of the mind, buried.
Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.
This was a transitional piece as I enlarged/zoomed out the 'mass' of the doodle towards the edge of the paper. This was one of the last pieces of abstracts before my figures surfaced from the compositions.
The only line added consciously is the hand. It leads the eye to the eye and thereby showing the viewers that it is in fact a figure. The shape on the right feels kind of right to be there, it really does not matter what it is. Compositional-wise , it works.
Final drawing 6 of 6. Here I fine tuned the piece. Spent some time on the shirt and wrinkles. Added little details like moles and neck creases. Finished up areas of shading. I had a heck of a time on his right eye. It’s the one area I couldn’t get quite to my liking but it is what it is. Overall, I like how this came out.
This is my character Shu. She is from the Ming Dynasty period 1368–1644 (I think). Created with White Knights Watercolors, handmade pearlescent watercolors (by Rusee on etsy), and a bit of pencil (mainly painted over or erased).
