Man, I’ve been random lately. I think my mind’s eye sees stuff that normal people don’t. That might make me abnormal. I’m kinda comfortable with that. Guess who’s going to be watching some Clint Eastwood tonight?
Mixed media. Acrylic, pencil, digital. This is a piece from the book “Mail Me Art - Medium Without A Message” by @littlechimpsociety. I think it was the second call for entries/book.There are now 4 books filled with awesome art drawn and painted on outsides of envelopes and packages by artists all over the world who then mailed them to the UK totally exposed to the postal service. The original was all analog. I brought this into Procreate and reworked it. I may do more when I get a chance but I’m pretty satisfied with it now.
"Contemplation of the Jump" - drawn & colored in Escape Motions Rebelle.
My drawings are pretty random, but after I make them I think about them a bit... like... what is that girl in that cave room thinking and why is he going to jump?
I should probably know the answers... but I don't.
Three islands filled with people all alone out by the sea,
You see, I'd love to join them but there is no room for me.
That one guy climbed too high - I think they call him "Clumsy Paul?"
Soon there may be room for me... I'm just waiting for his fall.
This is the book I made which contains the educational paper I wrote and illustrated about my trip to China in the summer of 2017. I gave a lecture entitled, The Sketchbook: Let's Connect at ICON10, The Illustration Conference in Detroit, MI this past July. I gave a few of these books out along with pocket sketchbooks to the audience. Below are a few spreads from the 40-page book.
He sits up in his teacup with his hands wrapped 'round a porg,
Thinking up new ways to join forces with the Borg.
To eradicate the Rebels by infecting them with spores,
And assimilate the hive mind to become one with the Force.
This comic came out of a conversation I’m having with a friend. We both found it fascinating that so many comedians and creatives come from broken and dark places. Robin Williams said, “I think the saddest people always try their hardest to make people happy because they know what it’s like to feel absolutely worthless and they don’t want anyone else to feel like that.”
Whenever I think of tags and/or labels for people, be it things like ‘gammons’ or ‘snowflakes’ et al, narrowing it down to a single person who represents that group is always running a fool’s errand in my opinion.
I have a hard time trying to decide what my "style" is. This comes closest I think. Plus I LOVE drawing chickens. These are two of my own grumpy ladies.
There’s a lot of waiting in life.
Waiting in lobbies.
Waiting on answers.
Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered.
I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe.
I remember once hearing a chess master say, “There is no waiting in chess.”
It confused me—wasn’t there always a turn to wait for?
But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.”
I once repeated that to a FIDE master. He got mad.
Maybe because waiting and patience aren’t the same thing.
We can be still and deeply active inside.
We can pause without being passive.
And then there’s Lindsey’s voice in the back of my head:
“That sounds like a first-world problem.”
“Speak life.”
“Be thankful. Rejoice always.”
And she’s right.
So here’s to filling waiting time with something creative.
Something kind.
Something that turns a delay into a doorway.
Take it how you want. You either give everything to social media, or it takes everything from you. In the end, you are left naked and hollow. I wanted to make this a simple composition at its core. The image is more about the message.
Times Square took forever to put together, I think the perspective is off just a bit. Overall, I think I did well with shading and depth. I am also improving on drawing/painting the human form. I wish I could trust in shapes and form and go a bit more abstract, but I think that will come with experience.
Digital is great -- for composition and color. But for line art? I don't think I can ever give up the fountain pen. This was drawn with a Sailor King of Pen (M) and Sailor 1911L (EF) fountain pens using Pilot Black ink. Yes, sacrilege. Pilot ink in a Sailor. But I have some Kiwa Guro arriving soon!
This portrait of Mr. Joshua Anderson—our resident Shakespeare whisperer—was drawn by student artist Covey Garrett as part of a school-wide tribute to our teachers. Students photographed, gridded, and drew 18x24” posters of their teachers, each paired with a favorite catchphrase. Mr. Anderson’s? A classic:
“Hint, hint. Wink, wink. Nudge, nudge.”
We think the Bard would approve.
"All the world's a stage, and all the men and women merely teachers..."
(okay, we may have paraphrased a bit).
A Brief Pause at the Edge of Becoming
It seems I am always seeking a place to sit—
not just to rest the body,
but to settle the soul.
Yet even in stillness, Gary Brecka’s words whisper:
“The quickest way to old age
is the aggressive pursuit of comfort.”
So I do not stay long.
I walked until I found a picnic table
beneath a canopy of bare-limbed trees,
branches like open hands waiting for green.
The blue spruces nearby—
stoic, unchanged, whispering that some things endure.
I sketched.
Not perfectly. Not for anyone’s praise.
Just a mark to say: I was here.
Alive in this in-between.
Waiting. Listening.
Not for leaves—
but for something truer than comfort.
Thank you for joining me in this small noticing.
A moment borrowed from the rush.
A table. A tree. A thought.
A gift.
The monochromatic weekly challenge inspired me to do an eye study. I've been having a bit of a composition block and thinking about starting to sell at art fairs, so my thoughts are preoccupied. I wanted to keep practicing tho. Lemme know what you think. I used pencils, smudges, and liquify in Rebelle 6. This is not AI nor is any part of this AI.
Tried sewing this guy to some colorful paper. I am not that bad at sewing, BUT the sewing machine is from 1950 and doesn't work very well, but I think the imperfections makes it look cool.