I have quite a bit of traveling planned this Summer...from NYC to Copenhagen to Venice to Berlin and a few more spots. Very much looking forward to all the different colors, cities, and cultures in the coming weeks.
This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :))
This is available as an a3 sized print.
Inktober 2020, day 11: "Disgusting". A license not to do the dishes thanks to art! :D
Although I got too carried away trying to capture the reflections to really capture the effect I was after. Also, even though I try to do a line drawing and ink it, my painterly sensibilities keep coming through. When I get a brush pen, I use it like a brush...
I was my mom's caregiver at the end of her life. She suffered from alzheimer's disease. In this drawing she is waiting patiently while I prepare her lunch.
Autumn is a peculiar time, I suppose. It's one of the prettiest times of the year (in my opinion) and one of the most mysterious. I'm not sure what it is that leads to it, but my mental state always shifts dramatically during this time, not always in the best way. I don't know. The transition is darker and murkier.
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
...
I should be the one shielding myself from the sun just so it can't kill anymore neurones.
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Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
Part of a series of black and white drawings on birch plywood. I took some liberties with horns and the look of the face. Don't consider this a realistic bison.
55 mins
“I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.
These large concentrations of people are referred to as complex societies or civilizations, which share many features, including having a dense population
I have neglected posting for too long! "Abstract Forest" will be uploaded to all my sites over the next day or so, so keep checking back for clothing, pillows, and more with the new print!!! The original drawing is going to be for sale at a local art show (if my application passes). Find all my art product sites here: https://linktr.ee/okhismakingart
I had a wonderful time creating this commision for a Kansas City Personalities wall mural installed in a downtown KC apartment building. The wall measures roughly 12’ x 20’. These were all hand drawn graphite and charcoal drawings that I scanned into my mac and delivered digitally. The file was then enlarged and applied to the wall surface.
This started as a pencil drawing (see the 2nd image) that I scanned and put into Photoshop. I tried various filters including: Smudge, Ink Outline, some Splatter, changed the Exposure and added a Sepia Photo Filter. After a couple of hours of playing (I’m not very knowledgeable about digital possibilities and just use trial and error) I ended up with a dramatic image with which I am quite happy. The reference was a magazine advertisement.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.
"Love is patient, love is kind. It is not jealous, love is not pompous, it is not inflated,
it is not rude, it does not seek its own interests, it is not quick-tempered, it does not brood over injury,
it does not rejoice over wrongdoing but rejoices with the truth.
It bears all things, believes all things, hopes all things, endures all things.”
1 Corinthians 13:4-7 (NABRE)
Alas. Alas.
Definitely need to use this word more often. Alas, I don’t have a lot of opportunities to do so.
https://www.instagram.com/p/CrQvNHEOYol/?utm_source=ig_web_copy_link
