The inspiration for this collection came from a conversation I had with the Founder and Executive Director of the Underprivileged And Underserved Foundation (UAUF), George Goodwine. While discussing race and whether or not every opportunity was fair based upon someone’s familial structure or “starting line,” I was asked the following questions. How does someone overcome these hurdles? How can the playing field be leveled to make things fairer, when others may only have 50 hurdles to overcome in the same competition?
My response was simple. “The person in front of 150 hurdles has two choices. They can either get discouraged before they begin, or start jumping. In the midst of the race they might get tired, unsure, or discouraged, but if they press on to the finish line they may become more physically fit than the person who jumps over 50.”
I used to dance ballet and at the time, there were a lot of hurdles I had to overcome solely based upon inconveniences that came with being raised in low-income, single parent home. Above are pencil sketches and sharpie drawings that I have drawn from actual photos. I plan on making these images my own by adding more abstraction and vibrant color to them.
Over the course of the project, stay tuned to see how these pictures will transform into a work of ART!!! Check out my artwork at theservingartist.com
Progression image 4 of 6. 11x14 Marker paper, Medium Graphite Pencils (asst. B-5B). This is where I felt the piece coming together. I spent a lot of time working on her left eye.
In some of the Rural areas in Africa, the Rooster is our clock as well as the alarm. It is a combination of the rooster and the four numbers on a clock.
Sometimes I like to draw things in the reverse (filling in the light areas, leaving the dark areas bare) and then flip them to see how I did. Today's warmups turned out pretty well. My favorite is the kid on the top, whose head & hair echo the strawberry shape. I wish I'd distinguished the girl's legs from the dog's body on the left more, but overall, not bad.
Sometimes in life you've gotta draw a genie that's based on Lady GaGa. Don't blame me. Blame the inevitability of existence. This was ink and watercolor with a bit of assistance from Photoshop.
Doodling my faces, this time on a piece of wood from a pallet. Re-cycling! Used watercolors and colored pencils, Carved out some spots to add dimension.
We wrapped up our trip with South of the Border, the schlockiest, most-borderline-offensive Mexican-themed South Carolina rest stop of all time. Then we hit Raleigh's art museum, and went home. The last few sketches of my sketchbook were me flipping through my photos and drawing a few favorite things I hadn't gotten to drawing yet. Thanks for traveling with me!
This woman is the last traditional tattooist in Kalinga, Philippines. During her time, she did the tattoos of the warriors from their tribe. Her age now is around mid 90s.
Some times you get that feeling of a SCREAM, you feel of a deep anger or a boiling volcano that needs to explode from inside in a rage and vigorous manner
Sometimes I lurk around RedditGetsDrawn and doodle the people there. This has ink, watercolor, acrylic, and then more ink. I don't know when to leave well enough alone.
That one time I thought it would be a good idea to coat my lips with black ink and kiss the paper. Regretted it for the next 3 hours walking about feeling like a goth.
I spotted a huge line drawing on YouTube. I was curious about how it feels to draw just lines over and over again. The one on the web was four times as big as this one (on A3 paper). Half way through I started to nod off. Next morning I thought the green
This is another improvised painting - in oils this time, but poured on after diluting with white spirit and then tidied up with a paint brush chasing the forms that appeared. You need to outside to do one like this. Very fast to make, but they stink like
