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Lindsay Baker Lindsay Baker
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Famous Bottoms #8

I made a Zine called "Famous Bottoms" - it's a quiz with 12 watercolour paintings of famous bottoms (painted by me). This one is #8 and I assume most people will recognise it! But how many of the others would you know? If you'd like a copy of the Zine, you can buy it at https://LindsayBakerArt.square.site for $AU8.00 plus shipping :)

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Andrijan Andrijan
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Stalker from shadows,Vampis

This one I designed when I was 7 years old,hence the silly name and simple design,but effective......I Recently stumbled upon yugioh card "ryu kishin" and really liked pose he was drawn in,so I tried to redraw my Vampis in that pose while using ink and polychromos colored pencils. I always imagined Vampis being some kind of mischeavius minion using shadows to move around doing all sort of childish pranks,like throwing rocks at windows,or setting houses on fire....it's one of the two monsters that I remember from young age and I kept redrawing him every year or so.

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Ginger Ginger
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Drawtober23 Day 14 -Moon

Much like "Orange", I used my orange and yellow Ohuhu markers to create this spooky,hilarious drawing of a wolf (not a werewolf) getting up close and personal with the moon, and it's inhabitants.

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Marqueta Wells Marqueta Wells
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Sunny Day

The idea was to create a nice scene of the sun shining down on a house. The skies are showing off shades of blue, and brown, and yellow. I love the rustic style and I feel like I accomplished that look in this painting.

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Paul Mennea Paul Mennea
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Karolina

big drawing on paper

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Paul Mennea Paul Mennea
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exhausting love sketch

exhausting love sketch

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Hahahailey Hahahailey
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New Character: Lolli!

TBH I was lazy abt the name I was literally just eating a lollipop. XD

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Paul Mennea Paul Mennea
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SAN DISMA

GESTUAL PAINTING - 12x 2 mt graphite , porporina

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Iordan Daniela Iordan Daniela
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Yellow

Acrylic on paper

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Chantel Chantel
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Fall Colors

Just an experimental painting I did with watercolors.

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Stephen Stephen
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Eternal Fire

This is a 3D pumpkin I carved at The Phoenixville Pa. Pumpkin Festival,for the experts carver's completion. This was my first time using the clay sculpting tool to carve with. I used the wood carving tool method for about eight years. The use of the clay tool give the carver more control to be able to do more detail . the wood carving method is chiseling away the pumpkin flesh where the clay sculpting tools method you scrape way the flesh. This the second pumpkin carving contest I have participated in in less then 5 day apart. Now that I have found a method and tools that work far better than my old ones, less see if my pumpkin carving skills can catch up to my artistic skills. Written by Stephen J. Vattimo Oct 24,2015

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Duncan Weller Duncan Weller
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The Artists

The background of this painting is created by these two girls. I had daughters of a friend paint a canvas and then I painted them into their painting. It could be a commentary on modern art, but it's ore just for fun and makes for a cool image.

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Hermit Hermit
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SHATTERMOUTH

(2B pencil on 132mm x 86mm paper) I did think of writing something in the speech bubble but decided it worked best as a kind of "silent scream" so I left it blank.

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CreatureSeeker10 CreatureSeeker10
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Cutting Crew

Cutting Crew is a humanoid colony Stand with the ability to switch the height and width of objects. Consisting of 12 units clad in jumpsuits, they each come equipped with a jetpack and handheld blaster. The blaster is utilized in swapping the height and width of objects, with a minimum of 1 blaster per object. If multiple blasters are used above the minimum amount, the swap process is sped up. A JoJo Stand concept that I had saved from a generator and finally got around to drawing. Generator used: https://perchance.org/dh6ennxocq

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Mags Mags
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Sir Billy Tinn of the Lands of Labrythwamu

My imagination

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Spearmint Chalk Spearmint Chalk
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Gender Conceptualization

I highly recommend the book, Gender and Competition: How Men and Women Approach Work and Play Differently, by Kathleen J. DeBoer. In it, among other things, she elucidates that those with a conceptually masculine perspective (regardless of sex) are drawn to thinking of the world in hierarchies, which I have represented here with a triangle in the mind of the spotter on the left. She elaborates that those with a conceptually feminine perspective (again, regardless of sex) are draw to thinking of the world in webs, which I have represented here with a circle. Those that think more masculine-ly are more likely to expect beginners in a sport or field to prove themselves in the group. They will often not "hold their punches" (i.e. curb their ability) to make newcomers comfortable. All members of the group are expected to "earn their keep," in a sense. When a member of the group exceeds expectations, they move up in the hierarchy. Contrary to that, those that think more feminine-ly likely show acceptance and approval to beginners in order to foster an environment in which they will perform. They will often adjust their skills so that newcomers can more readily "keep up." When a member of the group exceeds expectations, they are expected to raise the status of the group as a whole. The playing field is "flattened" in that sense. I am not advocating for either perspective, but I will share that I have a more conceptually feminine perspective, and that I have previously left groups whose members have a more masculine perspective. Kathleen's book really helped me personally to understand the motivations of people that I genuinely did not understand prior to reading the book. It put a lot into perspective for me, and I hold fewer grudges these days. Cheers, fam~

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Julie P Julie P
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Night Fright

Went to my old friend the watermark, so if I put up new pieces you'll see them a lot more often. Sorry, but it's to counter with AI and art theft. Another older piece but something a bit more fitting of the current season. Completely used colored pencils aside from signature in ink.

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Heather Heather
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Lucky Frog

A regal little pacific chorus frog I met while out hiking. Sketched and then painted

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Spearmint Chalk Spearmint Chalk
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The Fall of the Tower of Babble

I take a lot of Genesis as an allegory for birth and maturation, both individually and collectively. The Garden of Eden could easily be interpreted as the womb, and we are all cast out of it at some point. Genesis 2:24 says "This is why a man leaves his father and mother and bonds with his wife, and they become one flesh." Though people use this passage to refer to the tradition of marriage, I think that it speaks to something much, much deeper than that. Literally, when two people copulate, they create a child that is of one flesh. They do not "become one flesh" because they engage in a ritual institution and are now "to be viewed as comprising a single identity," but they literally become one flesh because their genetic compositions are joined into a new being (Mark 10:8 and the two shall become one flesh.’ So they are no longer two but one flesh. 9 What therefore God has joined together, let no man separate.”). That being said, I read somewhere once that babies born in every part of the world make phonetic sounds from pretty much every language in the world. It is only after a period of time that they start to key in on certain sounds that the people around them are making, and it is only after that that children key in enough to start developing more advanced language skills (typically). However, in this original state, there is a freedom. There are no assumptions. There is an innocence in that state. There is a lack of judgement. There comes a point at which babies/young children begin to mimic and to incorporate what they are experiencing from the creatures around them into themselves. To small creatures with an undeveloped sense of self or reality, the caregivers around them may as well be gods, at least from their perspective. They will learn from these gods around them and will begin to embody their cultural beliefs, their language, their idiosyncrasies, and their perceptions, often on a deeply unconscious level. Adults contribute to that quite thoroughly and somewhat consciously. (Genesis 1:26 Then God said, “Let Us make mankind in Our image, according to Our likeness..") (Genesis 11:7 7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.) In our own way as individuals, we are each a Tower of Babel, and at some point, for each of us, that Tower fell. Barriers to communication of so many kinds were created for and/or by us. Perhaps we still spend time constructing new barriers and thinking up new ways to distance ourselves from the rest of our kind. I chose to use the phrase "materialism" to express how children engender these attributes of caregivers and others alike. However, this can easily be exchanged for a phrase like "socialism," or "corporate capitalism," or nearly any other thing that you can probably think of. Children are like sponges. They soak up even more than we realize. Most widespread religions in the world have some form of renunciation belief or ritual wherein an individual must 'cast off' the old self and put on the new. This is because, regardless of where or when a child is born in the world, the perspectives of the people around them raising them will likely leave much to be desired. It is necessary for beings to continue to learn, and this often entails a serious consideration of what was instilled into them at an earlier time. It is quintessential that we question and evaluate these things since the state of the world will have changed by the time that we reach maturation. The ideas that people gave us may apply to a world that is already different. The story of the Tower of Babel may refer to a state that earlier humans lived in, perhaps on a shared continent, in which the manners in which they communicated were similar. Then, at some point, perhaps these same peoples went off on their travels and developed new languages. In a funny way, we seem to do that as individuals. At some point, we strike out on our own, even if only a little. Though we may differ on surface level behaviors and in the symbols that we use to describe the human experience, human beings are more or less fundamentally the same. We let our differences create so, so, so many barriers between ourselves and other beings. Just think of all of the harm that things like xenophobia, racism, intolerance, and a lack of an ability to communicate verbally with one another have done to our species. Even beyond that, just think of how easily we dismiss the inner lives and inner experiences of creatures different than ourselves simply because they do not communicate verbally with us in our preferred tongue. Research is overwhelmingly in support of other beings communicating with others of their kind, whether we as individuals acknowledge it or not.. Some of us are just really into denial about it. We could achieve remarkably wonderful things, if only we would learn to recognize the similarities of our experiences. (Matthew 19:6 So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate.”)

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Brianna Eisman Brianna Eisman
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Pretty Plants #3

When I moved into my first apartment, I knew I wanted to create my own wall art. So like any Potterhead artist, I binged Harry Potter movies and painted for many hours straight. This painting is part of a three piece set featuring my favorite plants painted on a soft gradient background. This 8”x10” acrylic painting is made on pre-stretched canvas.

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Lesly Lesly
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Back to painting!

With our adorable Shiba, Kaiju, as my inspiration, I've started working on initial sketches. The next step is to determine the perfect color palette before beginning the actual painting. Though I typically prefer to work with oil paints, it's been a considerable time since I last indulged in painting. So, I've decided to use acrylics this time around. I'm thrilled to start this new painting!

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Isadora Griffin Isadora Griffin
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Background from fox cub on the run

Backgrounds used to be my least favorite part of painting, but now im having fun trying out different textures and patterns. Having a strickt 12 color limit adds to the challenge and makes it feel like a puzzle.

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John C John C
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Tree Practice, 10/22/2023

Practicing sketching trees. I'm starting to get a little bit of a handle on light and shade.

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Samm Zuchowski Samm Zuchowski
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Pink Split
1/2

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Samm Zuchowski Samm Zuchowski
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Split Pink
1/2

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BeastGurl1989 BeastGurl1989
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Beast Boy 1/3

My favorite character from Teen Titans. Also my inspiration for creating my BeastGurl accounts.

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Samm Zuchowski Samm Zuchowski
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This week I did...
1/3

Top: markers & colored pencil Middle: acrylic on wood canvas Bottom: alcohol markers

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Spearmint Chalk Spearmint Chalk
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Digestion and Discretion

We take things in and digest them before regurgitating them or expelling them again through our being. This is true of many aspects of our reality, not just of caloric intake. We take things in through the senses, through the person. We digest with our intellect and with our perception. Then we are able to share that back out through the senses, through our behaviours, and through our being. Food builds our body even as our experiences build our character. The real mark of a mature human being is developing deeper levels of discretion and recognizing more intimate forms of subtlety. Not everyone likes grapes, but to condemn grapes as evil is not prosperous to our species. Some like cherries, but not all enjoy their flavour. Grapes and cherries are still nutritious even though some have allergies to them. And not all cherries and grapes are ripe and nutritious at all times in all places. We must carry this knowledge into the development of our judgement. If it is important and worth while to discuss food and material nutrition, then it is much more essential that we evolve a greater sense of discretion for experience and for the holistic palette of our physical, emotional, intellectual, social, and spiritual tongues. We do that through consumption and digestion. But be aware that a human being can not live on grapes and cherries alone. We should also do our best to not condemn the taste buds or stomachs of ourselves or others. Namaste.

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CLAUDIO PARENTELA CLAUDIO PARENTELA
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PAINTING3049

PAINTING3049- China, acrilici e Pennarello su Cartoncino-18CM X 27CM-Anno2023

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Yānā Moon Craft & Art Yānā Moon Craft & Art
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Samhain

Lino cut A7 pumpkin print for Samhain.

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